A Quote by David Altmejd
Some sculptors make drawings, I make heads.
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[Bernard Leach] was an incredible draftsman, and at the end of breakfast time, for instance, he would push his plate back, and he'd pull an old scrap of paper out of his pocket and a little stub of a pencil, and he'd begin to make small drawings, about an inch and a half, two inches tall, of pots that he wanted to make. And they were beautiful drawings. I really wish I'd stolen some of those scraps of paper, because those drawings were exquisite explorations of his ideas of form and volume in a ceramic piece.
I consider drawings finished works of art, first of all. However, the ideas can be something that can be developed into something larger. I don't make so many drawings anymore since I'm working with language. I used to make more when I worked with sculptural things, especially the wire pieces.
In the late 70's I started to make drawings of the ordinary objects I had been using in my work. Initially I wanted them to be ready-made drawings of the kind of common objects I had always used in my work. I was surprised to discover I couldn't find the simple, neutral drawings I had assumed existed, so I started to make them myself.
Before he did all those lovely line drawings, Matisse would make really detailed charcoal drawings and tear them up. He wouldn't leave them about... I understand what he was doing: discovering what's there... to make the line meaningful, to find a linear solution.
If there is no idea in the drawing, there is no idea in the constructed project. That's the expression of the idea. Architects make drawings that other people build. I make the drawings. If someone wants to build from those, that's up to them. I feel I'm making architecture. I believe the building comes into being as soon as it's drawn.
I hope I shall be able to make some drawings in which there is something human.
I sit, I think, I make some drawings. As a designer, you cannot retire totally.
One of the first drawings I did in Paris - I wasn't thinking of doing drawings, but somehow or other, I kept drawing - I bought a hyacinth flower with a lot of leaves, just to make me feel like spring.
I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.
Whenever I am tired of making photographs of drawings, I make drawings of photographs.
I am only an artist, my job is to make drawings not to make sense.
They've found a way to privately, or within a small family group, share expressions, or other images, drawings, and then gain access to some of the world's great expressions and images and make them real, make them tangible.
Then one day I thought it would be wonderful to make a whole book, to make my text and my drawings together, and that's how I started doing children's books.
When I make my drawings... the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
Most sculptors make the mistake", he said, "of thinking of eyes as form and they therefore make them as spherical surfaces. Eyes are not forms, they are transparent, and what one really sees is the light of the soul in them - and that is what I try to give them
There are lots of guns and action in my drawings, and part of that is just to make them more interesting. Because you can go through a whole film and it's mostly talking heads and little else until the action scenes, and they're usually violence or physical stuff. Same with baseball, or any sport. Except I find pitching and batting are visually very striking.
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