A Quote by David Amram

In jazz, you listen to what the bass player is doing and what the drummer is doing, what the pianist and the guitarist is doing, and then you play something that compliments that, so you are thinking simultaneously and thinking ahead.
So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.
I'm always thinking if I'm not doing something to get ahead in life, someone else is doing it.
People ask me to describe how I play, and the most obvious answer is that I'm a jazz influenced guitar player. But I'm not a jazz guitar player. Wes Montgomery was a jazz guitarist, Joe Pass was a jazz guitarist (laughs).
I joined an all-girl band in Detroit and, although I was a pianist and drummer, I was asked to play bass because no one else wanted to. When I strapped it on, it fit me as good as my leathers. At the first gig we played, I looked out at the audience and thought, 'This is what I'm going to be doing for the rest of my life.'
Once I've got something that I feel is strong, if I get long enough to think about it, it'll turn into something. I'll start thinking about the drums - what the drums are doing, what the bass is doing. Then, if I can remember it by the time I get to a recording device, it'll turn into a song.
I read a lot. I spend of lot time thinking. It actually looks like I'm doing nothing, but... hanging out with clever and interesting people is a must if you're writing comedy, like hanging out with a good bass player when you're a drummer.
A bass player has to think and play like a bass player. A drummer has to play and think like a drummer, and stay out of the way of the vocalist. The guitar player has to respect everybody else.
Thinking is generally thought of as doing nothing in a production - oriented society and doing nothing is hard to do. It's best done by disguising it as doing something and the something closest to doing nothing is walking.
Thinking is generally thought of as doing nothing in a production-oriented society, and doing nothing is hard to do. It's best done by disguising it as doing something, and the something closest to doing nothing is walking.
I always think that I love doing what I'm doing at the moment. The past is over. I can't go play one of those characters again. But I can play this and I can continue to grow in what I'm doing at the moment and that's really what I'm thinking about now.
The key to success isn't just thinking about what we are doing but doing something about what we are thinking.
Learning can be a bridge between doing and thinking. But then there is a danger that the person who uses learning as a bridge between doing and thinking may get stuck in learning and never get on to thinking.
if you don't concentrate on what you are doing then the thing that you are doing is not what you are thinking.
If you're doing black music, you should have a core understanding of where that comes from, and the fundamentals - so you're not some bozo thinking you're doing something new.
And what does really matter? That is easy: thinking and doing, doing and thinking--and these are the sum of all wisdom. . . . Both must move ever onward in life, to and fro, like breathing in and breathing out.
As long as there is a 'you' doing or not-doing, thinking or not-thinking, 'meditating' or 'not-meditating' you are no closer to home than the day you were born.
This site uses cookies to ensure you get the best experience. More info...
Got it!