A Quote by David Amram
Even before he had one book published, Jack was one of those people you could feel was very special.
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I feel that I'm an essayist and that my best work gets done in that form. I wanted to do a book where the essays could exist on their own terms. A book that was neither a book of essays that were shoehorned into a memoir, nor [one where] the essays had been published elsewhere first, [because] then they would kind of bear the marks of those publications.
I hadn't published a book of poetry in over a decade because I've been very ill. As I got better and started to write, I said, 'Wow, even as an old woman, I could have a selected book of poems.'
It's been a wild ride. I hope people can appreciate how special it is to see the people that ran well today; how special and sometimes fleeting greatness can be even from yourself. I gave it everything I had and for a short period of time I did very very well and I'm very proud of that and I'm leaving it at that. I did the best I could.
Nevertheless, the book gave Jack a feeling he had never had before, that the past was like a story, in which one thing led to another, and the world was not a boundless mystery, but a finite thing that could be comprehended.
I think it's very, very, very hard to get a book published. I never want to be one of those teachers that say, 'don't do this, ' because how sad would the world be if people didn't create art and write? But, it's not an easy journey being a writer.
It's my belief that I was a writer - a very hardworking writer - well before I was published. I did care what others thought, and it was embarrassing when people asked me what I had published, so I didn't talk much about writing; rather, I just kept writing.
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
A president has - and I had it even before I became president - a very special relationship with the people, a connection based on feelings.
I got brilliant stories from people who'd never set foot in an MFA program and had published very little, and terrible stories from people who'd published a lot and had all the credentials. It was all over the map and that was part of the fun.
Before Obamacare you had a lot of people that were very, very happy with their health care. And now those people in many cases don't even have health care. They don't even have anything that's acceptable to them.
Right now Jack lives with me. Jack is my Jack Russell. I also have a Yorkie named Ginger, but Jack and Ginger can't be in the same place at the same time because she is very jealous. Even if Jack's not in the same state, she would growl if she heard his name.
My first book published in France was translated and titled Exercices d'Attente in 1972. It was a collection of short works written and published in Romania. In 1973 I was ready to publish the novel Arpièges, which I had started writing in Romanian and of which I had published some fragments under the title Vain Art of the Fugue. Some years later, I finished Necessary Marriage.
How lucky am I? Quite often I speak at book festivals, and people ask me how I got published. There's people who have been working on a book for as long as ten years, and I feel like such a cow.
Ever since I was young, 14 or 15, I wondered if you could write a book that combined the visceral thrill of watching a movie with the total immersion you feel when you're inside a good book. And I had some success as a screenwriter before I began writing books.
I would change very little because I have been very, very fortunate. A lot of things fell into place for me simply by happenstance. When that happens you don't really want to change anything, even if you could. Editorially my regrets are few and for the most part minor. I look back on my first published book and think I held on to it too long, babied it too long.
It's true that in Romanian I feel more relaxed, as if I'm wearing slippers...but I came to this decision primarily for other reasons: I had only published three collections of texts in Romania. Even before my exile I was prohibited from publishing, I was ignored and forgotten. In going back to Romanian I had the opportunity to take my revenge.
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