A Quote by David Autor

There was a great sag in employment beginning in 2000. — © David Autor
There was a great sag in employment beginning in 2000.
If I want to wear a V-neck T-shirt and some jeans with a little sag - not hood sag, then I'm just being me.
In the Great Depression, employment was not low because investment was low. Employment and investment were low because labor market institutions and industrial policies changed in a way that lowered normal employment.
I chose John Carroll Lynch as my SAG name when I was 19 years old. I was working in D.C., and I got my SAG card by doing a first aid film for the Red Cross called 'Bleeding Control'. They had a union contract.
One of the tangible benefits of the merger is that we are not vying with each other for work. We can now focus on organizing work in one place. There is no SAG, no AFTRA, only SAG-AFTRA.
If my gravy train stops at SAG, honey, it's been a great ride.
As one union, SAG-AFTRA will support a future of great entertainment for all of us.
There is nothing like employment, active indispensable employment, for relieving sorrow. Employment, even melancholy, may dispel melancholy.
We tend to think that employment is employment, and we don't ask the question: is this rewarding employment? Research establishes pretty clearly that typical notions of happiness - that more is better - really don't correspond to the way people think and feel.
Predominantly I've worked with Blumhouse, and they've been really great to me. We are extremely grateful for employment. But maybe my dark soul attracts these darker, horrifying stories. But I don't particularly close myself off to any employment - any stories, I should say.
In the US after the Great Depression, they invested heavily in infrastructure to create a lot of employment. In Germany after the war there was the Marshall plan for roads, rail, housing, energy, water and so on. That created massive employment after the devastation of the war and helped them to rebuild the country.
Julio's Day is a story of one man's life, but it's a great more than that as well. It's the story of the life of a century, also told as if a day. Beginning with Julio's birth in 1900 and ending with his death in 2000, the graphic novel touches on most of the major events that shaped the 20th century.
We started putting '2000' at the end of our name. That was in 1985, and 2000 seemed very futuristic.
People are not doing well financially. I mean, wages are down from 2000. They're down from 2007. 2000 - down. Not going - they're below what they were in 2000. People are hurting. Things aren't going well for them.
I just want people to get lost in the story and at the end kind of sag and say, 'That was fun.' It's hardly my desire for them to sit and think, 'What a great literary image.'
It used to just be a SAG card, and then you got an AFTRA card. I got my AFTRA card doing a commercial in Atlanta. I got my SAG card doing a beer commercial from 100 years ago; it was one of the first national commercials with a family in it that was black and normal, and I played the daughter.
Between trying to impeach Bill Clinton, Florida 2000, and the recall in California, I'm beginning to think that Republicans will do anything to win an election-except get the most votes.
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