A Quote by David Baddiel

I've adapted my own work a couple of times, and I've also given my novels to other people to adapt, and I do find that quite difficult. — © David Baddiel
I've adapted my own work a couple of times, and I've also given my novels to other people to adapt, and I do find that quite difficult.
I mean, there are many other directors who are probably both more skilled and excited to adapt novels or work within certain genre conventions. I'd like to do that kind of work someday, but for better or worse I'm too drawn by my own material.
It's certainly been very important to have my own family with me. They came with me to Italy, left what they had in Brazil and also adapted to a new country, new culture and new language was difficult but having their support in the good and bad times was fantastic.
Mine was quite a working-class childhood with very little money, and my father was out of work a couple of times, which had quite a traumatic effect.
Often you find actors have big hearts; they're quite emotional people. Talking to actors who date other actors, and talking to people who deal with other actors, they often get emotionally caught up in lots of different things. They often wear their hearts on their sleeves. They feel things quite a lot - often to the nth degree, which I can imagine could make it quite difficult to date some of us. I think it's about having an emotional availability that you can kind of draw on. But I'm also searching for that. I'll be searching for the answer to that question for the rest of my life.
I never expected to adapt so quickly, but if you are a foreigner it's up to you to adapt to English football because you can't change it. I think I've achieved something in the way I adapted.
Probably the single most commen response I get from my readesr, be it through e-mails or letters, is that they did not know much, or at times, they're quite frank, they didn't care much about Afghanistan. But they pay attention more after reading these novels, and at times it has triggered this humaitarian spirt: some have donated money or at time times, people have joined humatiarian organizations that work in Afghanistan.
Movies are not novels, and that's why, when filmmakers try to adapt novels, particularly long or complex novels, the result is almost always failure. It can't be done.
It is difficult to adapt to Van Gaal. I had a couple of rows with him.
I have some scripts, I'm putting a couple of projects together with people I want to work with. I think that's the most exciting part, when you can hopefully create your own content and find the people that you love that you get to work with.
We have to diversify, we have to find work we can do that helps other people while helping ourselves, work that has to do with writing that isn't necessarily just writing saleable novels or getting huge advances.
It is an error to believe that Christ did not teach a determined body of doctrine applicable to all times and to all men, but rather that He inaugurated a religious movement adapted, or to be adapted, to different times and different places.
I try to help other people get through difficult times in their own lives.
Ellen [Page] and I had only met a couple of times, but had mutual admiration for each other's work. When I first heard about the film [Into the Forest], I was excited to get a chance to work with one of my peers because it's usually one or the other. You don't get to work with all of the other actors that you're usually competing with.
Marriage can be work, it can be difficult, it can be hard, but I think working through those times makes you stronger as a couple and as a unit.
There are things I back off from trying to talk about, you know. Particularly my own work. Also, there may be things better left unsaid. At times I'd much rather talk about other (people's) work.
I think it sits quite happily with me, the condition of being an actor. I see some people getting quite eaten up with it, with the insecurities. There are times when I long for continuity and stability, but I also love the idea of not knowing what I'll be doing next - or even if I'm going to work.
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