A Quote by David Baddiel

I am a comedian. I do feel I have to put my experience on a public stage. As an artist, that's what I do. Even though that sounds poncey. — © David Baddiel
I am a comedian. I do feel I have to put my experience on a public stage. As an artist, that's what I do. Even though that sounds poncey.
I feel like these sounds are the ultimate kind of free sounds, the ultimate public domain sounds. And I feel like people put them in completely different contexts, and they mean something different to everybody.
There's a weird loneliness that comes with being a comedian, especially standup. Even with improvisers, I think there are certain moments of truth where you feel really, really connected to audiences, and that's when you're on stage. I think there's definitely something inside the personality of a person who wants to be a comedian that's looking to connect at all times. That's where the adrenaline rushes in their lives come from.
Even though my father was a radio comedian, it wasn't cool to say, at a young age, 'I want to be a comedian.'
Firstly, I am not a comedian. I have a sense of doing comedy but I am a character artist. If the character in the film is a comedy than I can portray it. But, I am not a comedian.
I think I became a gay comedian out of necessity, because what else am I gonna do with that name? And it has worked out now, but it was a very difficult childhood. It sounds like the hokiest stage name ever.
My roots were in acting. That's all I wanted to be. Even though my father was a radio comedian, it wasn't cool to say, at a young age, 'I want to be a comedian.'
The 'public' artist confirms the world that we already accept, though he inevitably widens our experience of it; his method is one of research, the progressive uncovering of detail.
Even though I've been doing it for so long, I still feel fresh. Even when I walk out on stage, I still feel pretty much the same as I've always felt.
I am delighted to be an artist and follow in my mother's footsteps, even though I know I am not allowed to make a single mistake.
I feel like there's an obligation - this sounds terribly pretentious - if you're an artist, to share your own experience in a way that's truthful and honest: 'This is what I have to share; this is my life.'
In my first stand-up acts there wasn't material even. You know, I'd go on stage and cry and read a Dear John letter or gut fish on stage. I could be odd - and it's what interested me as a comedian.
I enjoy voicing even though I am not a voice-over artist.
As a largely unsuccessful comedian, I've become someone that younger people sometimes find and ask for advice, which I'm happy to give, even though it makes me feel old.
When you see a comedian on stage, the best comedians make it feel like a conversation. But it's not. We have very little interest in what an audience has to say during a performance. Being a stand-up comedian, you're an egomaniac to some degree. Everyone wants to hear what you have to say, apparently. That's not how real relationships work.
I see myself as a comedian rather than a female comedian. I happen to be a woman, but I am a comedian by trade.
What the artist should be asking is, "Am I being honest? Am I being myself? Am I searching for the truth? Am I reporting my experience of life and the world as I see and experience it?
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