A Quote by David Baddiel
I remember watching an episode of 'Seinfeld' in which George can't understand why security guards can't sit down. He gets obsessed with it and eventually buys a chair for a security guard who sits down and goes to sleep. The shop gets robbed. That's a brilliant extrapolation of what is essentially observational comedy.
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Gas stations are considering hiring security guards. Why are they getting security guards? We're the ones getting robbed.
Why is it that no other species but man gets bored? Under the circumstances in which a man gets bored, a dog goes to sleep.
I'm a big hit with guards at security. They're the center of my fan base, the airport security guards.
I don't want security guards. I don't think security guards are particularly good for your writing.
I understand what's going on, and when I see the fervor, when I see 25,000 people that have seats and not one person during an hour speech will sit down, I say sit down everybody, sit down, and they don't sit down, I mean, that's a great compliment but I do understand the power of the message. There's no question about that.
I am worried about this word, this notion - security. I see this word, hear this word, feel this word everywhere. Security check. Security watch. Security clearance. Why has all this focus on security made me feel so much more insecure? ... Why are we suddenly a nation and a people who strive for security above all else?
In terms of comedy, there was a Seinfeldian era of comedy that I love but got played out. Seinfeld was great, but then after him it was people acting like Seinfeld and making observations that we felt like we'd kind of heard before, and then you're seeing Seinfeldian comedy in commercials. Suddenly everything is observational funniness.
When it comes to immigration, I have actually put more money, under my administration, into border security than any other administration previously. We've got more security resources at the border - more National Guard, more border guards, you name it - than the previous administration. So we've ramped up significantly the issue of border security.
But what counter-insurgency really comes down to is the protection of the capitalists back in America, their property and their privileges. U.S. national security, as preached by U.S. leaders, is the security of the capitalist class in the US, not the security of the rest of the people.
We have a media that goes along with the government by parroting phrases intended to provoke a certain emotional response - for example, "national security." Everyone says "national security" to the point that we now must use the term "national security." But it is not national security that they're concerned with; it is state security. And that's a key distinction.
The key is just to ignore the pain, because physical comedy only works if you see someone get hurt and they aren't actually hurt. If someone gets hit in the face with a bat, falls down, and gets back up, it's funny. If they stay down and their jaw is wired shut in the next scene, it's really tragic and weird. You have to pretend it doesn't hurt.
There is also a particular area of sleep called slow-wave sleep. I immediately liked this idea. It turns out this part of sleep is where the brain basically gets into step with itself and gets into this one single phase of these relatively slow brain waves - around 10 Hz or so - and the whole brain 'fires all at once'. This is a brilliant bit of sleep where we consolidate memory and learning, and memory is one of my obsessions really.
Human beings have a drive for security and safety, which is often what fuels the spiritual search. This very drive for security and safety is what causes so much misery and confusion. Freedom is a state of complete and absolute insecurity and not knowing. So, in seeking security and safety, you actually distance yourself from the freedom you want. There is no security in freedom, at least not in the sense that we normally think of security. This is, of course, why it is so free: there's nothing there to grab hold of.
I quite like it to be risky. I'm not ready to sit down in a chair with my name on it yet. I've arrived at that point in the art world where there really is a chair that you sit in.
My first pay cheque was when I was a security guard in a Benetton showroom, which was Rs 900. I took all my security guard friends for a treat to eat Chinese food and ended up spending my entire salary in just three days, leaving me with no choice but to rely on my friends for food for the entire month.
The racism I am really interested in stamping out is in everyday life. Joe Bloggs, who nobody knows, walks down the street and gets racially abused. He goes into a shop and people think he is going to steal something. He cannot get a job.
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