A Quote by David Baddiel

I spent a long time on a big studio sitcom, 'Baddiel's Syndrome,' for Sky, and got no audience. — © David Baddiel
I spent a long time on a big studio sitcom, 'Baddiel's Syndrome,' for Sky, and got no audience.
I did five episodes of Townies as Jenna Elfman's boyfriend. I was a guest star, but it was the first time I really got to play laughs in front of a sitcom audience.
You simply cannot do a sitcom by committee. It will not work. You've got to have one or two clean, creative voices in charge, and there's got to be some faith by the studio and network in those people to make the right choices.
I'm a person of the mountains and the open paddocks and the big empty sky, that's me, and I knew if I spent too long away from all that I'd die; I don't know what of, I just knew I'd die.
You cannot begin to imagine the shock I had when I came down on the floor for the first time. First of all, there's this whole thing about playing sitcom comedy. I didn't want to do the sitcom thing, but I didn't know what else to do. I went slowly. We went through the week of rehearsal, then we got on the floor with the cameras, which I'm used to because of my experience in the old days. Then came camera day, with an audience, and it was stunning, enthralling, exciting and chaotic. I had never experienced anything like that before, as an actor. I was part minstrel, part actor.
I thought I was going to be a rapper as a kid and used to hop the train down to Jazzy Jeff's studio for, like, six months straight waiting outside of the studio for the big break, and one day we got in the studio and played our demo for Will and Jeff and quickly learned that we weren't that good.
We spent a lot of time in the studio. I mean, we've spent a lot of time on tour, too.
At heart, I guess I'm a saloon singer because there's a greater intimacy between performer and audience in a nightclub. Then again, I love the excitement of appearing before a big concert audience. Let's just say that the place isn't important, as long as everybody has a good time.
I think I spent more time on the mellotron than on any other instrument in the studio, and it got to the point where I was like, "Well, you can't write an entire album on this instrument." But maybe I would!
I taught myself English. My English teacher was the sitcom 'Friends.' Back in the days when I was, like, 15, 14, it was like a syndrome for Korean parents to make their kids watch 'Friends.' I thought I was a victim at that time, but now I'm the lucky one.
I've spent a lot of time thinking about what the audience would want. That's my job, is to anticipate ahead of the audience.
The two big mistakes were the belief in a sky god - that there's a man in the sky with 10 things he doesn't want you to do and you'll burn for a long time if you do them - and private property, which I think is at the core of our failure as a species. That's the source of my indignations, my dissatisfactions, however it comes out on the stage. I feel betrayed by the people I'm part of, these creatures, these magnificent creatures.
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
Any time spent before the Eucharistic presence, be it long or short, is the best-spent time of our lives.
My experience tells me that any time you hear people laughing on a sitcom, it's the writers who happen to be closest to the microphones - not the audience.
My desire for my own sitcom began as a little girl - I spent hours lying on my belly on the shag carpeting getting lost in the world of the '70s sitcom. All I wanted to do was run away to the Brady house, The Partridge Family bus; even the project on 'Good Times' seemed better than Clark, NJ.
I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
This site uses cookies to ensure you get the best experience. More info...
Got it!