A Quote by David Baszucki
Seeing how kids lit up when they were creating things made me think of what would be the ultimate platform for our imagination.
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We have a vision of creating an imagination platform - the ultimate platform for play. A place for kids around the world to play, create, build and imagine together.
The company that employed me strived only to serve up the cheapest fare that the customer would tolerate, churn it out as fast as possible, and charge as much as they could get away with. If it were possible to do so, the company would sell what all businesses of its kind dream about selling, creating that which all of our efforts were tacitly supposed to achieve: the ultimate product -- Nothing. And for this product they would command the ultimate price -- Everything.
The solution for rising up kids in the income distributionlies is in creating better childhood environments for kids growing up, especially in low income families. And so what means such things like schools, the quality of neighborhoods. If you think about what's gone on in Baltimore, it's a place of tremendous concentrated poverty. People aren't really seeing a path forward and I think revitalizing places like that can have a huge impact, even in the face of globalization and changes in technology.
Wine has been to me a firm friend and a wise counsellor. Wine has lit up for me the pages of literature, and revealed in life romance lurking in the commonplace. Wine has made me bold, but not foolish; has induced me to say silly things, but not do them. If such small indiscretions standing in the debit column of wine's account were added up, they would amount to nothing in comparison with the vast accumulation on the credit side.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
I grew up in a family where the internalized understanding was that the kids were going to grow up into a better world. I worry, because I don't think my kids are going to have that. The world is very scary. The world would be scary without the choices the current administration made, but they just exacerbated it. And it ticks me off. I want my kids to have a good life.
Think of being curled up and floating in a darkness. Even if you could think, even if you had an imagination, would you ever imagine its opposite, this miraculous world the Asian Taoists call the "Ten Thousand Things"? And if the darkness just got darker? And then you were dead? What would you care? How would you eve know the difference?
When I left my Catholic school, I was around 10 or 11 years old, and it started to unravel for me there. Kids pick up on things if you're interested and inquisitive. I was seeing things that were not in line with what I'd been taught about Jesus. It didn't jive with me.
I think when you have kids, it definitely makes you look at things from a different perspective, but I think that the biggest thing it's done is it's made me look at things from a different perspective from a professional standpoint in how you analyze things and how you look at things and how you react to things.
When I got into film school, it really formed a sense of who I am and my sense of feeling like an outsider. If there was some greater purpose to do this, it would be so that future generations - my kids or my sister's kids - would grow up seeing themselves in their media culture in a way that I didn't. If The Mindy Project or Master of None were on when I was growing up, I wonder if I would be interested in doing this at all
There's certain things that I was taught growing up about not quitting and seeing things through. I think if I would have come home and told my dad that I was going to quit the team, I think he would have kicked me out of the house. I don't think I'd have a place to stay.
The one thing about kids is that you never really know exactly what they're thinking or how they're seeing. After writing about kids, which is a little bit like putting the experience under a magnifying glass, you realize you have no idea how you thought as a kid. I've come to the conclusion that most of the things that we remember about our childhood are lies. We all have memories that stand out from when we were kids, but they're really just snapshots. You can't remember how you reacted because your whole head is different when you stand aside.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
People talk about the golden age of Hollywood because of how women were lit then. You could be Joan Crawford and Bette Davis and work well into your 50s, because you were lit and made into a goddess. Now, with everything being sort of gritty, women have this sense of their use-by date.
When I was growing up, kids would go outside and play all day and invent things. And my brothers and I pretended our picnic table was a ship one summer. Our bikes were horses, and our trees were forts. We turned everything in the world into make-believe.
September 11 either made me love this country or it made me realize how much I already did. I think it's the latter. Seeing "Fahrenheit 9/11" made me think deeply about love of country - how it molds us, drives and emboldens us and how it can sometimes make us so angry, we want to shout out to the world: 'No, this is wrong.'
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