A Quote by David Beckham

Hong Kong and Macau are both very dynamic cities. I am always inspired about the culture, people and food in these two cities. There is always so much to do and so much to explore!
Because I became a refugee in Macau during 1941, we had this war in Hong Kong, I fought for the government as an air raid warden for 15 days. Our government surrendered, Hong Kong Government surrendered, so I took a junk and came to Macau in 16 hours and I was a refugee, so that's why I was so much indebted to Macau.
For the most part, French cities are much better preserved and looked after than British cities, because the bourgeoisie, the people who run the cities, have always lived centrally, which has only recently begun to happen in big cities in England. Traditionally in England, people who had any money would live out in the suburbs. Now, increasingly, people with money live in the cities, but this has changed only in the last 20 or so years.
When I look at 'Fallen Angels,' I realize it is not a film that is truly about Hong Kong. It's more like my Hong Kong fantasy. I want Hong Kong to be quiet, with less people.
Hong Kong people say Hong Kong needs to preserve its uniqueness. I say Hong Kong's uniqueness is in its diversity, its tolerance of difference cultures... China does not want to see Hong Kong in decline. I have full confidence in its future.
Hong Kong has always been a dynamic and exciting and high-energy city, and it has that New York thing going on, and people here care about how they look.
English is my second language, but in Hong Kong, they don't know that I'm from China. They think I'm from Hollywood because all the films they see are from here. China and Hong Kong are very different places, but they're starting to merge. Still the culture is very different.
I am generally enthusiastic about cities. Here in the West there is a panic. Every time we have a debate about cities, we talk about the problems of cities.
I have always wanted to make a film about my parents' generation, which tried every way to escape from the deadly shadow of war and finally settled down in Hong Kong in the '50s to build a home from nothing. Arguably, they are the first generation of Hong Kong people to turn this remote island into a modern city.
I went back to Hong Kong for the first time in 17 years and I was culture shocked in Hong Kong.
People are very surprised when they come to Hong Kong after seeing my films, because my version of it is quite different than Hong Kong in reality.
[London is] one of the best cities in the world. There is just so much culture there and so much history and so much diversity. It's just a perfect place to grow up. I studied at the Guildhall every Saturday so I'd always be in town every weekend doing that. I was kind of a city boy really.
Hong Kong compatriots will surely display great love for the motherland and for Hong Kong and take it as their utmost honor to maintain long-term prosperity and stability in Hong Kong and safeguard the fundamental interests of the country.
It does not matter whether I am in Hong Kong or Sao Paolo - people always want to talk about toxic bosses and what to do about them.
I see Baccarat in major gateway cities like Paris, Tokyo, Shanghai and Hong Kong and exotic resort locations.
An affection for Hong Kong and a national identity are not mutually exclusive. We can let children learn more about Hong Kong's history, culture, politics, and social development, and at the same time, we must make them have their national identity.
I still remember 2002. It's a very hard time for Hong Kong industry, no movies in Hong Kong, and also at this moment I start my new company, so many people said, 'You're crazy.'
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