A Quote by David Belle
Our aim is to take our art to the world and make people understand what it is to move.
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What people that are professionals in the art world - both in literature and the other arts - always try to do is to recognize the feasibility of making the transition from the particular to the general - to make the transition from the portrait of one postman - to take Van Gogh, for example, to something that is every postman. That synecdotal transition that most selfies don't make. But we who live in this world, and not simply in our private realities, understand that that's the transition our art has to make.
I wouldn't join the International Criminal Court. This is a body based in The Hague where unaccountable judges, prosecutors, could pull our troops, our diplomats up for trial. And I wouldn't join. And I understand that in certain capitals of, around the world that that wasn't a popular move. But it's the right move not to join a foreign court that could, where our people could be prosecuted.
If we begin to stop spewing the negative and really move into using our voices and our pens and our abilities that we have to reach millions of people to the positive, we can make a difference in the world.
Some people come into our lives and they move our souls to sing and make our spirits dance. They help us to see that everything on earth is part of the incredibility of life... and that it is always there for us to take of its joy. Some people come into our lives and leave footprints on our hearts and we are never ever the same.
Our task is not to find the maximum amount of content in a work of art, mush less to squeeze more content out of the work than is already there. Our task is to cut back on content so we can see the thing at all. The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us.
The power of fantasy is that you can make people understand the deeper realities of our world in a way that they wouldn't normally be able to because of all the things in our world that closes them off.
Laika's films aim to promote thought, feeling, and connectivity through art, inspired by our shared humanity. We're deeply gratified that the spirit of our work has resonated so strongly with audiences around the world.
If we could sufficiently understand the order of the universe, we should find that it exceeds all the desires of the wisest men, and that it is impossible to make it better than it is, not only as a whole and in general but also for ourselves in particular, if we are attached, as we ought to be, to the Author of all, not only as to the architect and efficient cause of our being, but as to our master and to the final cause, which ought to be the whole aim of our will, and which can alone make our happiness.
If our goal is to understand the world, to seek a deeper understanding of the world, our general lack of moral diversity here is going to make it harder. Because when people all share values, when people all share morals, they become a team.
I don't understand why anyone would collect my work. Please understand... it's like writing Our House. It took me an hour, it was 30 years ago, get over it! But people say, No, no, it changed my life, and I don't understand that. I can't take that seriously as a producer of what I consider to be art. If they want to collect it, fantastic. If you see what I saw when I took it and it means something to you, then by all means collect it. If I make some money, um, fine.
To make love is to become like this infant again. We grope with our mouths toward the body of another being, whom we trust, who takes us in her arms. We rock together with this loved one. We move beyond speech. Our bodies move past all the controls we have learned. We cry out in ecstasy, in feeling. We are back in a natural world before culture tried to erase our experience of nature. In this world, to touch another is to express love; there is no idea apart from feeling, and no feeling which does not ring through our bodies and our souls at once.
Nothing other people do is because of you. It is because of themselves. All people live in their own dream, in their own mind; they are in a completely different world from the one we live in. When we take something personally, we make the assumption that they know what is in our world, and we try to impose our world on their world.
Our aim is not to die. It is to carry out the revolution, to make a reality of our ideas. We must live, to get them accepted by the people.
Art and science coincide insofar as both aim to improve the lives of men and women. The latter normally concerns itself with profit, the former with pleasure. In the coming age, art will fashion our entertainment out of new means of productivity in ways that will simultaneously enhance our profit and maximize our pleasure.
Our children take their flight into the future with our thrust and with our aim. And even as we anxiously watch that arrow in flight and know all the evils that can deflect its course after is has left our hand, nevertheless we take courage in remembering that the most important factor in determining that arrow's destination will be the stability, strength, and unwavering certainty of the holder of the bow.
You in the unions do not yet represent all of labor. But I hope some day you will, because I believe that it is through strength, through the fact that people who know what people need are working to make this country a better place for all people, that we will help the world to accept our leadership and understand that, under our form of government and through our way of life, we have something to offer them.
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