A Quote by David Benioff
To shoot a decent fight, you need to cover all the different angles, and it ends up eating a lot of days.
Related Quotes
Food scenes in movies are traditionally nightmares to shoot - you just can't fake eating, and you usually have to repeat it a lot of times to get the angles you need. It's actually quite a lot to ask of actors, and there's really nowhere to hide.
Working on a film, the setup for an action sequence takes a long time, and we need to shoot the scene many times to get different angles.
There's a scene [in the 1990 film Welcome Home, Roxy Carmichael] in my bedroom where I start eating Almond Roca. I was so young. It was before I knew the tricks of moviemaking, and I didn't know you shoot a lot of different angles. I gobbled them and didn't realize I had to keep doing it. So I had to eat 64 Almond Roca that day. I got so sick. In the beginning you're like, 'Ooh, that looks good.' But hours later, no.
Take one story, viewed from two different angles. It is the same day, the same moment, but one angle ends happily... and the other ends badly.
When I lost to Ray Mercer, I was young. I deserved to lose that fight because I hadn't learned how to cover all the angles in preparation. I was immature.
Whenever I fight, whenever you see me fight, I work a lot off of angles, using my kicks a lot.
I don't shoot movies quickly because I get a lot of coverage and a lot of angles, so we have all the pieces in the editing. I do a lot of takes, but it's because I'm looking for something.
Eating a lot is an occupational hazard but it's a pretty great problem to have. I spend a lot of time eating sweets on TV - cake, cupcakes, donuts, and pudding. It's a dream job, but at the same time there will be days where I wake up knowing I will eat 15 desserts!
Every fight is one between different angles of vision illuminating the same truth.
For action to work, you need an awful lot of coverage. Because if you do a fight sequence, you really need to be able to creed the energy in the edit or augment the energy in the edit. So you need to really, really cover it.
There are different angles you have to work with as a hitter. Figuring out with my body what helps me get into those angles... is a constant discovery.
To shoot a movie that takes place in three decades in 30 days is a lot on the hair and make-up team.
'You Can Count On Me' took 20 days to shoot, and we had 50 days to shoot 'Margaret.'
You go into Afghanistan, you got guys who slap women around for five years because they didn't wear a veil. You know, guys like that ain't got no manhood left anyway. So it's a hell of a lot of fun to shoot them. Actually, it’s a lot of fun to fight. You know, it’s a hell of a hoot. It’s fun to shoot some people. I’ll be right up front with you — I like brawling.
The selfie has become a new autograph, but it takes twice as long to do as a real autograph. I do it because I'm like, "What am I going to do, these people bought me my house." Why am I not going to take a picture with them except I always say, "You have to hold it up! Shoot down or it's really ugly if you shoot up!" So not only does it take longer, you have to teach them camera angles.
I like to have an active set and a fun set. I keep my days to a decent hour; I don't go overtime. Do I beat people up? I beat people up in that they know I like to shoot fast. And they know I like to be efficient. And that I like to leapfrog.
Related Authors
Ayn Rand Quotes
Russian
Writer
C. S. Lewis Quotes
British
Writer
Francois de La Rochefoucauld Quotes
French
Writer
Gilbert K. Chesterton Quotes
English
Writer
H. L. Mencken Quotes
American
Writer
Haruki Murakami Quotes
Japanese
Writer
Kurt Vonnegut Quotes
American
Writer
Leo Tolstoy Quotes
Russian
Writer
Mark Twain Quotes
American
Writer
Mason Cooley Quotes
American
Writer
Ray Bradbury Quotes
American
Writer
Samuel Johnson Quotes
English
Writer
Seth Godin Quotes
American
Writer
Sherrilyn Kenyon Quotes
American
Writer
Suzanne Collins Quotes
American
Writer