A Quote by David Benioff

You don't like the girl. You don't know what color eyes she has, you don't like her. — © David Benioff
You don't like the girl. You don't know what color eyes she has, you don't like her.
The unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea.
I love sneakers on a girl. I don't know why, but I guess it's because I'm still a young. I really like just like a girl who has style - a girl who does her own thing, is unique in what she's wearing and works what she's got.
The Girl With Many Eyes One day in the park I had quite a surprise. I met a girl who had many eyes. She was really quite pretty (and also quite shocking!) and I noticed she had a mouth, so we ended up talking. We talked about flowers, and her poetry classes, and the problems she'd have if she ever wore glasses. It's great to know a girl who has so many eyes, but you really get wet when she breaks down and cries.
Then her eyes narrowed. The sun was spilling in the window behind her and Dageus's eyes were golden, dappled with darker flecks. Smoky and sensual, fringed by thick dark lashes, but gold nonetheless. "What is with your eyes?" she exclaimed. "Is it part of being a Druid?" "What color are they?" he asked warily. "Gold." He flashed her another unguarded smile. It was like basking in the sun, she thought, tracing her fingers over his beard-shadowed jaw, smiling helplessly back.
I pictured a girl who made every moment, everything she touched, and everyone around her feel lighter and sweeter. “I pictured you,” he said. “I just didn’t know what you looked like. “And then, when I did know what you looked like, you looked like the girl who was all those things. You looked like the girl I loved.
There are no words for how much I will miss her, but I try to kiss her so that she'll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
But her name was Esmé. She was a girl with long, long, red, red hair. Her mother braided it. The flower shop boy stood behind her and held it in his hand. Her mother cut it off and hung it from a chandelier. She was Queen. Mazishta. Her hair was black and her handmaidens dressed it with pearls and silver pins. Her flesh was golden like the desert. Her flesh was pale like cream. Her eyes were blue. Brown.
She doesn't know any better, what a girl like her needs is a man with both his legs on the land. A man who will hold her down so that she doesn't fly away. She doesn't know yet that someone like you looks better on the shelf than in your hand.
And she arose from her deathbed in a gossamer gown, with eyes the color of starlight and hair as black as the night. And those who were her captors trembled, for the scent of death and madness emanated from her soul, and yet she was not dead. She moved like the spiders that creep in the treetops, and none could look away. Taking her first captor in hand, she fed deep and ravenous. And so it was that Myst, Queen of the Indigo Court, was born from the blood of the dead.
I mean there are so many different colors of life, of feeling, of articulation... so when I meet someone who's an 8-color type... I'm like, 'Hey girl, magenta!' and she's like, 'Oh, you mean purple!' and she goes off on her purple thing, and I'm like, 'No - I want magenta!'
The Girl of the Period, sauntering before one down Broadway, is one panorama of awful surprises from top to toe. Her clothes characterize her. She never characterizes her clothes. She is upholstered, not ornamented. She is bundled, not draped. She is puckered, not folded. She struts, she does not sweep. She has not one of the attributes of nature nor of proper art. She neither soothes the eye like a flower, nor pleases it like a picture. She wearies it like a kaleidoscope. She is a meaningless dazzle of broken effects.
The nice girl meets a guy and acts like she joined a cult. In the beginning, a guy might ask her what she likes. The nice girl makes the mistake of shrugging her shoulders and saying: 'I like anything you like.'
I try to do something the audience might not have seen before. Like if I'm gonna kiss a girl I wanna kiss her like a girl has never been kissed. Like maybe I would kick her legs out from under her and catch her right before she hits the ground and then kiss her.
Eventually she came. She appeared suddenly, exactly like she'd done that day- she stepped into the sunshine, she jumped, she laughed and threw her head back, so her long ponytail nearly grazed the waistband of her jeans. After that, I couldn't think about anything else. The mole on the inside of her right elbow, like a dark blot of ink. The way she ripped her nails to shreds when she was nervous. Her eyes, deep as a promise. Her stomach, pale and soft and gorgeous, and the tiny dark cavity of her belly button. I nearly went crazy.
She said to the Daisy girl with her big brown eyes: 'I will not have it plain. No. Fancy. It must be fancy!' She meant her future. A moon-daisy dropped to the floor, down from her hair, like a faintly derisive sign from heaven.
Well, I was a big fan of the book and therein a huge fan of the girl Precious. And so I felt like I knew this girl. I felt like I'd grown up alongside her. I felt like she was in my family. She was my friend and she was like people I didn't want to be friends with.
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