A Quote by David Benioff

'Breaking Bad.' Because it's the best American narrative fiction of the last ten years. — © David Benioff
'Breaking Bad.' Because it's the best American narrative fiction of the last ten years.
Over the last ten years, breaking into comics has changed so much. There used to be specific ways about how to do it ... and now, just like there are so many different ways people are getting exposed to comics, there's no single way that people are breaking in anymore.
Yes, I think I have the best swing on the Tour. Why have scores comedown in the last ten years? Partly because they are imitating me.
I've been a radio reporter for ten years, and if I learned anything from my time at 'This American Life,' it's how to craft a narrative so that even if the ending is ambiguous, it is somehow satisfying.
Evidently, there are many great American writers. But sometimes it can feel as though American fiction is dominated by relatively linear narrative form, with a heavy emphasis on psychological realism. If you limit yourself to a certain kind of American literary fiction, it's easy to forget about the different kinds of books that are being written. You can forget to be ambitious, both as a reader and a writer.
In documentary you sometimes see the tyranny of the linear, but what I've noticed in the last ten years in narrative film is the tyranny of the non-linear.
I tried to get the word out to people who are information hubs in their communities, because they could propagate the call quickly. One challenge is that breaking science fiction means, well, breaking science fiction. Many communities of colour have a different approach to narratives of science.
The Democrats, because they are the media, still establish the narrative for Washington every day. And whatever that narrative is, the Republicans - for some reason (I think it's force of habit and years and years of conditioning) - still become subservient to whatever that narrative is.
I've decided 'Breaking Bad' may be one of the best TV shows ever, but I had to watch every last episode of the first four seasons to come to that conclusion.
The best of American television is thought-provoking, original, brilliant, exciting - from 'The Sopranos' on, whether it's 'The Wire' or 'Breaking Bad' or 'House of Cards,' they're fantastic pieces of art.
If we had 3 percent growth, which is what we're trying to get to, what we're at, by the way, right now, we're trying to maintain that 3 percent growth. If we had been at 3 percent growth over the last ten years, the budget very nearly would be balanced in 2017. That's how big a difference it makes when you grow the American economy that additional 1 percent over ten years.
If you look at the best-seller list for American fiction, they're all sequels to detective stories or stories about hunting serial killers. That's what's called American fiction these days.
No. I didn't look at the last few scripts. I didn't want to read them because I'm a 'Breaking Bad' fan. I wanted to experience it with everyone.
The older painting - well, it does have an effect all at once, I suppose, but it's of a lesser intensity than a lot of the American work in the last ten or fifteen years.
My first was in 1994 and it's ten years ago already. It's been ten years and I'm still around. I won a stage again, like I did last year and the year before.
A great thing is happening on cable TV. You see characters change in stories over years, like in Tolstoy. That's a whole, thrilling new form that I really enjoy. They are Tolstoy-an in their endless character development and narrative changes... a show like 'Breaking Bad' is astonishing.
Ten years dropped from a man's life are no small loss; ten years of manhood, of household happiness and care; ten years of honest labor, of conscious enjoyment of sunshine and outdoor beauty; ten years of grateful life--one day looking forward to all this; the next, waking to find them passed, and a blank.
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