A Quote by David Benioff
Everyone knew this was the episode that was going to make or break the season.
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You can watch an episode of Friends or an episode of Law & Order and just drop in, but you're not going to in the middle of Season 4, Episode 5 of Lost. It's like picking up a Harry Potter book and flipping to a chapter. You have to read it from beginning to end.
As soon as I knew we were going to be doing tribute episodes, and as soon as I knew the landscape of 'Psych' allowed us to do homages, the show creator and I both had respective dreams. His was a musical episode, and mine was a 'Twin Peaks' episode.
Going in, I knew I wasn't one of the top ones, because I didn't even make the pre-season All-American team. That shows you what people thought of me right there, so I knew I had to go to work.
I've never directed an opening episode of 'GoT' before, until season 8, but I think it's really important to make a splash. You have to reset the table, put everyone back in their place, you have to take them to their next position. But you have to entertain, that's what's most important.
You just never know what the grand plan is on 'Dexter,' so I didn't know if I was going to make it to the next episode, let alone the next season!
For the third season, we do a sit around on one episode where we were in character and then we commented on one episode just being ourselves, so - not really. I was comfortable, though. I wasn't nervous.
It's just immensely frustrating that things like Breaking Bad get made that are kind of perfect! There's not even a bad episode of Breaking Bad, let alone a bad season. I want to be able to say, "Hey everybody, it's impossible to make a show where every episode is great!" No it's not.
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
I knew Scotty was going to win. At the beginning of the episode, I was like, 'Scotty, are you ready to win?'. I knew he was going to in my heart. I accepted it. I couldn't pick a more perfect person to get second place to. He's my best friend.
I didn't get paid to write professionally until my first episode of 'Kyle XY,' which was the fourth episode of the first season.
I never watch television, although, the other night, my wife and I caught an episode of 'Buffy the Vampire Slayer' from Season Six. It's the only series of which I've ever watched every single episode.
I think that knowing where you're going is important, and it's not like, when Robert says that, it's not like we know what every episode of the next five, four, five, six seasons of the show is going to be. I think Matt Weiner knew how Mad Men was going to end. Vince Gilligan knew how Breaking Bad was going to end. Marc Cherry knew how Desperate Housewives was going to end. Along the way, the process of crafting those stories ... You don't know what the road, what twists and turns that road is going to take to ultimately get you there.
I did an episode of 'Entourage.' I played Morgan - I think it was season three or season four. It was actually my third audition, and it was my first big job.
I think this is a moment of a lot of possibilities, and openings. Occupy and the 99% movement are really going to break through, and we are going to create a new economy, an economy that we need that works for everyone. Where everyone works, everyone counts and everyone contributes.
When they were making black films in the '60s and the '70s, everyone knew their place, if you get my drift. You understand? Everyone knew the rules, and everyone knew their place. Everyone knew what to say. They had the written rules in Hollywood film, and the unwritten rules.
What I've learned in my career as an actor is that you're only as good as your collaborators. The process is many things, but it is wholly collaborative, particularly with something like 'Westworld,' which is a 10-episode-per-season gig, and we're just now on the 7th episode.
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