A Quote by David Benioff

If you bill something as a memoir, you're implying that everything in it is true. — © David Benioff
If you bill something as a memoir, you're implying that everything in it is true.
[Bill Clinton] has settled numerous lawsuits without admitting any guilt on a whole number of things. Are you saying, are you implying that settling a lawsuit is implying guilt? Because if so, it means that your candidate is guilty of an awful lot of things, no.
I love writing both fiction and memoir. Both have unique challenges; bottom line, fiction is hard because you have to come up with the credible, twisty plot, and memoir is hard because you have to say something true and profound, albeit in a funny way.
I would be so mad if I saw something called a memoir, and then it was Mike Birbiglia. It would be so infuriating. It's like, 'Who is this guy, and why does he have a memoir?' David Letterman could write a memoir. Joan Rivers could. I'm just a nobody. I'm a comedian and a writer.
Are you implying that our relationship is like a Spanish soap opera?” “I’m not implying. I’m saying it.
That's all true, but there was something else going on for me as a kid, something about my gender identity that I haven't figured out yet. And that's one of the things I'm hoping to dissect and investigate in this memoir project.
The memoir as a somewhat indistinct form is absolutely true. So many of the memoirs I've read, and the ones I have gravitated toward most, somehow upend what I expect from memoir and the project seems greater than just the exposition of a life.
Going from memoir to fiction was fantastic. I had been afraid to move away from memoir; I'd written some novel drafts, but they weren't well received by my agent at the time, and it had been drilled into me that "memoir outsells fiction two to one" (not sure if that's true anymore, or if it ever was), so I felt like the only smart thing to do, professionally, was to keep mining my life for painful moments to recapitulate.
For a memoir to really succeed, the author has to do such hard work before they come to the page. They have to do a brutal self-examination of everything they believe to be true.
A lot of my songs are very personal, always, but this one felt like a memoir. I almost called it Hallucinated Memoir. "Granny" is a hallucinated memoir. It's straight-up symbolism for my life, in many ways.
There's basically an element of fiction in everything you remember. Imagination and memory are almost the same brain processes. When I write fiction, I know that I'm using a bunch of lies that I've made up to create some form of truth. When I write a memoir, I'm using true elements to create something that will always be somehow fictionalized.
A memoir forces me to stop and remember carefully. It is an exercise in truth. In a memoir, I look at myself, my life, and the people I love the most in the mirror of the blank screen. In a memoir, feelings are more important than facts, and to write honestly, I have to confront my demons.
It's true I've got no shirts to wear; It's true my butcher's bill is due; It's true my prospects all look blue - But don't let that unsettle you.
The design is a really flat primary color with all sorts of abstract geometric shapes, just implying something. And then you'd have your characters running from something with guns. It was very expressionistic.
The thing with Bill Shatner is he brings something unique to everything he does. He's not the obvious choice for anything, but he always brings something special to it.
Most memoir writers will tell you that the hardest part of writing a memoir isn't what to include, but what to leave out.
On the Sandy bill, I did the best I could on waste, fraud and abuse, and then when the final bill comes, you don't say, 'Hell, no' because you didn't get everything you want in there.
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