A Quote by David Berman

I was much further along as a poet than as a songwriter, but the songs were getting more attention. They were doing what art is supposed to do, mixing it up with people. — © David Berman
I was much further along as a poet than as a songwriter, but the songs were getting more attention. They were doing what art is supposed to do, mixing it up with people.
I built a reputation as a songwriter in the industry before my own hits. People were used to coming to me for songs. There were songs like 'Clown' and 'Mountains' that were my songs that I wanted to keep. But the record labels saw me as a songwriter. It was hard to get people to believe in me as an artist.
I went along and basically learned a few of the songs they were doing at the time, which were quite a few of the songs we ended up doing on our first album.
The only criterion we used in doing cover material was we wanted to do songs that we wished bands would play when we went out. We were doing Yardbirds and Rolling Stones cover songs-which is not any big deal, but where we were from, all we were getting were Top 40 bands.
My best songs were written very quickly. Just about as much time as it takes to write it down is about as long as it takes to write it...In writing songs I've learned as much from Cezanne as I have from Woody Guthrie...It's not me, it's the songs. I'm just the postman, I deliver the songs...I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.
I was turning up at sets where inexperienced people were making these badly written films - but they were doing it; that was the point. They were getting their films out there. And they were paying me, so they obviously had access to money. I just thought, 'I can make something better than this.'
This is why I loved the support groups so much, if people thought you were dying, they gave you their full attention. If this might be the last time they saw you, they really saw you. Everything else about their checkbook balance and radio songs and messy hair went out the window. You had their full attention. People listened instead of just waiting for their turn to speak. And when they spoke, they weren't just telling you a story. When the two of you talked, you were building something, and afterward you were both different than before.
If churches saw their mission in the same way, there is no telling what might happen. What if people were invited to come tell what they already know of God instead of to learn what they are supposed to believe? What if they were blessed for what they are doing in the world instead of chastened for not doing more at church? What if church felt more like a way station than a destination? What if the church’s job were to move people out the door instead of trying to keep them in, by convincing them that God needed them more in the world than in the church?
The clergy [in the 14th century] on the whole were probably no more lecherous or greedy or untrustworthy than other men, but because they were supposed to be better or nearer to God than other men, their failings attracted more attention.
My best mates when I was 19 were all in their 30s. I used to go to all their house parties, and they were crazier than the guys who were 17, 18. They were so much more liberated than the people who were apparently shackle-free.
I was more like a middle child. My youngest brother was the baby, so he got all the attention that the baby gets. And my older brothers were getting into so much trouble that I was left in the middle, doing plays. I was up to no good, but my mother didn't know it!
I think you end up doing the stuff you were supposed to do at the time you were supposed to do it.
I felt lost in endless spools of social media. All the while, emails by the thousands were piling up, phone calls were getting lost in the mix, and messages from the most important people in my life were getting drowned out in the din. I was more responsive to comments on Instagram than to my own closest friends and family.
We would play songs live on stage, and then we'd watch their reaction we were receiving immediately, if people were dancing and singing along. If they weren't, then we'd go into the dressing rooms of the different NBA teams that we were playing in their arenas, and we'd change the songs right there.
When men and women across the country reported how happy they felt, researchers found that jugglers were happier than others. By and large, the more roles, the greater the happiness. Parents were happier than nonparents, and workers were happier than nonworkers. Married people were much happier than unmarried people. Married people were generally at the top of the emotional totem pole.
I learned so much watching my dad write songs and perform in front of thousands of people, and people were singing along to songs that I watched him write; it stuck with me.
There were definitely songs in the past that were me dealing with living this gender dysphoria, and sometimes they were really direct and no one picked up on it - but oftentimes, they were more veiled in metaphor.
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