A Quote by David Berman

In my whole life, I've had maybe 10 people who have told me how much my music means to them. — © David Berman
In my whole life, I've had maybe 10 people who have told me how much my music means to them.
I've learned how much of an impact that music has on people. I get messages all the time from people telling me what my music means to them and what it has done to them.
Music has been so healing in my life, so the fact that my music could be that for someone else is the best gift of my whole career. People have told me that they got married to my music, divorced to my music, and played my music while they were having their baby.
Someone like my father will improvise as much as 90% of the music in concert, but with me it's maybe 10 to 20%. It's sort of the test of how great someone is, the more they can improvise correctly and still be true to the raga they're playing, and still keep it new and fresh the whole time.
Someone told me much later that you always know the people who are going to make a difference in your life, from the very first time you set eyes on them, even if you do not like them at all. And I had noticed him, as he had me. God help us.
Christian music was music that I grew up listening to that I can't say has had much of an impact on anything I have done in my adult life. Maybe Christianity has, but certainly not the bullshit Christian music I was listening to when I was 12. To me there's not much substance in that music. I don't have a message or anything.
The thing I've most realized is that when people come up to me and tell me how much my story means to them, how much it was inspiration for them to see me fight through and push through with my career, I realized love is real. And there's no greater feeling in this world, to give back and touch people.
I had people telling me how much I sucked and how bad my music was, but I didn't allow that to discourage me to the point where I didn't want to do music anymore.
People don't realize how much it means to your music to record on tape, whether it be for new music or old music. People don't realize how much or how imperative it is to use actual hardware when making drums because those are actual percussion samplers. They're hardware instruments that are made to have the drum hit.
I had already been making music for my whole high school life, and '10 Day,' which took me a whole year to finish, was about working with a lot of different producers and learning all of the aspects about being a rapper, from shows to recording to studio etiquette to marketing.
Someone in Ireland asked me how many Republican poets there were in the U.S., and I thought maybe two. Maybe there are 10,000 poets, and maybe there are two Republicans among them.
How lucky am I? I'll go to Naperville and people will come up to me and thank me for coming to Naperville. That's how much music means to people.
I know from the elders that it's not so easy to sustain a life in music, a presence in the music world, for decades on end. And that's what we're here for: we're thinking about the long game. If that is dependent on other people's desire for me, then it becomes extremely vulnerable to change. Rather than subject myself to that vulnerability, I'd rather embrace change and allow myself to transform, and maybe that means that what I do next week, the people who liked me last week won't like anymore, but maybe that will also lead people to like something else.
I've been playing piano my whole life but I'd never tried to understand how compositions are made really. Try to imagine if you'd loved paintings your whole life but had never painted one. My aspiration now is just to understand. I don't have professional pretensions. I've learned so much. So many things I've been doing in the visual, two-dimensional painting world parallel many of the inner working of music - how intervals resolve into each other, harmonic rhythm, tonal things - there's a whole vocabulary that overlaps. Sometimes people see pianos in my works - that I never think.
You do not know how much they mean to me, my friends, And how, how rare and strange it is, to find In a life composed so much, so much of odds and ends, (For indeed I do not love it ... you knew? you are not blind! How keen you are!) To find a friend who has these qualities, Who has, and gives Those qualities upon which friendship lives. How much it means that I say this to you- Without these friendships-life, what cauchemar!
The stories my pupils told me were astonishing. One told how he had witnessed his cousin being shot in the back five times; another how his parents had died of AIDS. Another said that he'd probably been to more funerals than parties in his young life. For me - someone who had had an idyllic, happy childhood - this was staggering.
People make assumptions about me based on my music. I've literally had people stop me in the street: 'You are so sweet. I bet you haven't had a bad thought in your whole life!' I'm like, 'Really? I hate to disappoint you!'
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