A Quote by David Berman

I believe that intermittent live performance has cut short the writing lives of touring musicians. — © David Berman
I believe that intermittent live performance has cut short the writing lives of touring musicians.
These people shred. That's what I was saying about Nashville-you can go to an open mic night at the Holiday Inn and probably see more talented musicians than the ones touring. When we first came down here I was like, "Wow I'm glad we didn't cut our teeth down here, there's so much competition." You're being challenged constantly because you're surrounded by these amazing musicians.
Although I'm very lazy when it comes to writing, I'm not that lazy when it comes to thinking. I like to develop the plan of a short story, then cut it as short as possible, try to evolve all the necessary details. I know far more about the characters than what actually comes out of the writing.
The best part of touring is playing the shows. I mean, that is the point of touring, at least for me. I have been blessed in that I've always gotten to play with other good musicians.
Everyone has to work hard, there is no short-cut. If you keep working hard there are a lot of musicians on a lookout for new voices.
I love live performance and have huge admiration for people who can really do it. It's the same with music: I'll play a record and think that I'm not really into country or ragga. But, if it's live and the musicians are good, I'll listen to pretty much anything.
I don't call cut between the takes - it's my way to help the actor keep focused. As soon as you say 'cut' you have 10 people jumping on them and everybody's trying to do a great job, and they do, but sometimes they forget that the more important thing is the performance, creating the performance.
You learn by writing short stories. Keep writing short stories. The money's in novels, but writing short stories keeps your writing lean and pointed.
I claimed identity as Jewish musicians for political reasons, because most of us were touring in Germany and, at this time, twelve years ago, there was a strong resurgence of Nazism in the places we were touring and part of that was on the music scene.
I perceived that I was on a little round grain of rock and metal, filmed with water and with air, whirling in sunlight and darkness. And on the skin of that little grain all the swarms of men, generation by generation, had lived in labour and blindness, with intermittent joy and intermittent lucidity of spirit. And all their history, with its folk-wanderings, its empires, its philosophies, its proud sciences, its social revolutions, its increasing hunger for community, was but a flicker in one day of the lives of the stars.
Well that's probably what'll end up happening: a load of really good musicians who can't afford to be in bands, who have to have day jobs, you know what I mean? And then that's when you start losing a lot of the live touring bands.
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.
There are three motives for which we live; we live for the body, we live for the mind, we live for the soul. No one of these is better or holier than the other; all are alike desirable, and no one of the three—body, mind, or soul—can live fully if either of the others is cut short of full life and expression.
My preference is live performance. Because you get the feedback. There's an energy. It's live theater. That's why I think actors like that. You know, musicians need it, comedians definitely need it. It doesn't matter what size and what club, whether it's 30 people in the club or 2,000 in a hall or a theater. It's live, it's symbiotic, you need it.
They go the long way but we take the short cut Give me the blonde hair, long weave, short cut
Long hair is a security blanket for me. I cut it short a few years ago and I really never want to do that again. When I do cut it, I cut it myself.
We all tell our own stories the way we live our lives. My story is: Life is too short to not believe in fresh voices. I don't have Hollywood stars. I have great American artists.
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