A Quote by David Berman
My whole life I've tried to find the thing I can do that other people can't do, and invest in that, and the one thing I can do is write narratives and build characters. I can do that.
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Life can be a lot broader... when you realize one simple thing: And that is that everything around us that we call life was made up by people who were no smarter than you. And you can build your own life that other people can live in. So build a life. Don't live one. Build one. Find your opportunity, and always be sexy.
I always invest my own money in the companies that I create. I don't believe in the whole thing of just using other people's money. I don't think that's right. I'm not going to ask other people to invest in something if I'm not prepared to do so myself.
Life can be a lot broader... when you realize one simple thing: everything around us that we call life was made up of people that are no smarter than you. And you can build your own things and you can build your own life that other people can live in. So build a life, don't live one, find your opportunities and always be sexy.
I'm often asked how to start investing with little or no money. Please hear this as this is the hardest thing for people to understand: you do NOT invest with money! You invest with your mind! No matter what the field, your biggest asset is your mind. Once you have knowledge, you find deals, find your team and use other people’s money. You sell the deal and your team to get investment money.
Frank's really different from everything I've done. Maybe the one thing that's the same, and the thing that I tend to do, is that I think I can create an intimacy with the characters, like a sense of presence with the people in the film, and that's what I tried to do in 'Room' as well.
The great thing about acting is, because you're constantly playing other characters and exploring yourself because you have to find those other characters in yourself, you sort of broaden as a person over your life because you've been other people. So you can empathize with many different sorts of people. It's great in that way and I hope, therefore, as you get older as an actor, you not only get more interesting because you lived more, but you get a bit wiser as a person.
The fact is that at different stages of your life, and under the influence of different inspirations, you write different things. The point is not necessarily to find your voice, which grinds out the same sort of thing again and again, but to find a vehicle for people who are far more important than the author: the characters.
I, myself, write to change my life, to make it come out the way I want it to. But other people write for other reasons: to see more closely what it is they are thinking about, what they may be afraid of. Sometimes writers write to solve a problem, to answer their own question. All these reasons are good reasons. And that is the most important thing I'll ever tell you. Maybe it is the most important thing you'll ever hear. Ever.
I wanted to live the life my characters were living, so I rented a yacht and sailed from Naples to Capri before taking a helicopter back. Got to write the whole thing off as research on my taxes.
I've never paid too much attention to what other people have said or to what other people have tried to make me be. I've always just tried to be myself, which is such a weird thing to say.
It's one thing to be sitting in a classroom and have a teacher tell you how to treat other people; it's a whole other thing to watch, week after week, somebody's life spelled out to you in an emotional way: That lesson is something that will stay with you forever.
Good people can do terrible things, and that's what life is all about, the complexities and grey areas. And often characters aren't written that way in movies, especially characters for women. So you end up being either one thing or the other.
One thing that I've always tried to do is create lifts - the moment that you have a rush of feelings. That's always something that I'm trying to communicate in music, and particularly the style of music that I write for Japanese Breakfast: I'm always trying to build things up into each other.
I always find the first thing that really bothers me when I start a screenplay is, I have to find a different form. You can't follow the form of the novel. It's a different thing completely. It's impossible. You just somehow have to find a structure for the whole thing. You have to crack that.
The most important thing as a comic and a writer is to have a strong point of view. I have one and can recognise it in others which is why I can write for other people and different characters that I perform.
This is a fundamental view of the world. It says that when you build a thing you cannot merely build that thing in isolation, but must repair the world around it, and within it, so that the larger world at that one place becomes more coherent, and more whole; and the thing which you make takes its place in the web of nature, as you make it.
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