A Quote by David Berman

In a lot of ways, I wouldn't be an artist in another time. I need to exist in a time where high and low art mix easily. — © David Berman
In a lot of ways, I wouldn't be an artist in another time. I need to exist in a time where high and low art mix easily.
Intellectual culture seems to separate high art from low art. Low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. High art is people driving in Volvos and talking a lot. I just don't want to keep those things separate. I think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. I'm trying to not exclude high and low art or separate them.
At the gym, I do full-body circuits with low weights and high repetitions, as well as four or five cardio intervals thrown into the mix. I put a lot of emphasis on core strength and flexibility training. I also do a lot of running in my free time. Anytime I can move my cardio outside in the sunshine, I do.
Art is difficult. It's not entertainment. There are only a few people who can say something about art - it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art.
I never understood the low art/high art distinction. I think there's real currency in pop culture. We read trashy magazines as much as the next person. So I never saw the point in listening to only one thing. That low art/high art distinction comes from the establishment telling me how I'm supposed to think.
Oh, my ways are strange ways and new ways and old ways, And deep ways and steep ways and high ways and low, I'm at home and at ease on a track that I know not, And restless and lost on a road that I know.
We love high-end art, but when you're looking at high-end art in music, a lot of the time, it's appreciated academically, but you can't feel it as much.
Mount Carmel was a very monastic place. We lived in another time - an easier time, a better time. We didn't have running water or most modern conveniences. But in a lot of ways, it was a very satisfying life.
Be it high or low, it doesn't matter. I need to stay calm and neutral all the time.
If you want to be an artist, you have to know that art is an ongoing practice, that you're part of a long line. Take this test: if someone offered you a billion dollars, but you could never draw another illustration or write another word, would you take it? If you reject it, you need to find another way to pay the bills, but you're still an artist.
I think great art goes beyond the control of the artist. In some ways, art often makes itself and reveals things about that artist that maybe the artist is not fully conscious of.
I remember listening to 'Low End Theory': I had been kicked out of high school. I was in GED school in the LES, and all I could do was listen to 'Low End Theory.' I was in a strange time in my life, and 'Low End Theory' kind of defined that time.
My mother's an artist. My father was an artist and so I assumed that was normal growing up in art and the art world and spending our time around the world seeing art, experiencing things. It was great.
I like being busy and juggling a lot of things at the same time. I get bored easily, so I need to do a lot.
My freshman and sophomore years in high school, I spent a lot of time trying to get back on the right track. I was arrested multiple times by the time I was 16, so I had a little harder time trying to adjust like a lot of us do in high school.
It is not shortage of time that should worry us, but the tendency for the majority of time to be spent in low-quality ways.
There's a grand tradition of a lot of interesting stuff that happens to these post-presidents. Especially in this day and age where you leave office in your 50s and you can live another 40 years, easily. That's a lot of time.
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