A Quote by David Boreanaz

I like to direct for the big screen. — © David Boreanaz
I like to direct for the big screen.
I always direct next to the camera and watch my actors, and so you can see the small things that you can't see on the small screen but you can definitely see on the big screen.
When I direct my own scripts, it's much easier as it's been in my head for a year already... What I love about this is having an idea and seeing it come to fruition on screen. I would like to direct someone else's script one day, but I might not get round to it before I die - you can't legislate for being hit by a bus!
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
Animation translates well to a small screen. When you look at Walt Disney or Chuck Jones - you know, Bugs Bunny - there really isn't any difference if you watch on a very big screen or a computer screen.
I am not against any kind of physical intimacy on screen, but kissing is a big no unless it's with Jennifer. I'd like to kiss her on-screen as we do it at home, too. If we get paid for it, that's even better.
Television is a big platform for actors, and so many actors have made it to films from there. And for me, too, it has been a great transition from the small screen to the big screen.
You could have the biggest screen, you could have the clearest screen. But if there is not great content on this thing, that big-screen TV is not a huge value to you, even though it has the best picture on the planet.
If I hear that a film of mine is going to be shown on a big screen somewhere and I haven't seen it in a while, I make a point to get to see it. I just want to see it up on the big screen.
Small screen or big screen my job on set doesn't really change. The only difference with TV is I get to be surprised with new information just like the audience every time I get a script.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
I like to make all kinds of shows and films, whether it's fantasy or big-popcorn, big-screen escapism or dramas based on real events.
The big screen and the small screen are two very different mediums - they are perceived differently by people.
You have to realize I like doing big movies that appear on a big screen. So the visuals and the audio have to be of a certain quality before I start to get excited about the thing.
I have this set-up at my house where I have one big movie theater screen that's 9 ft. by 16 ft. Then, I have nine 63-inch monitors around it; four on either side and one underneath. So I get all nine one o'clock games, and I can switch them onto the big screen. That's what I do on the Sundays during the season.
The only way to see a movie is in a big theater, on a big screen, with a big bag of popcorn.
I'm someone who believes the only way to see a movie is in a big theater, on a big screen, with a big bag of popcorn.
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