A Quote by David Bowie

Put on your red shoes, and dance the blues. — © David Bowie
Put on your red shoes, and dance the blues.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
I learned jazz; that comes from blues. I learned rock; that comes from blues. I learned pop; that comes from blues. Even dance, that comes from blues, with the answer-and-response.
I remember being mad about having pink and red shoes. I gew up envying other girls' pink and red shoes.
When you were six you thought mistress meant to put your shoes on the wrong feet. Now you are older and know it can mean many things, but essentially it means to put your shoes on the wrong feet.
My dance shoes - ballroom shoes, tap shoes, ballerinas - are my life.
I love songs, and I love songwriting, and there's a standard of songwriting within Chicago blues in particular. I don't like the sad blues, necessarily; the Chicago blues is what I like, which is the kind of blues you can dance to.
I never really stop and think about should I put my hat on this way or that, not thinking that little JoJo down the street would be copying that. I'm more conscious about it now and tell the kids that it's not about the shoes or what kind of shoes... it's all about the dance.
If you put on shoes that are too tight and walk out across an empty plain, you will not feel the freedom of the place unless you take off your shoes. Your shoe-constriction has you confined. At night before sleeping you take off the tight shoes, and your soul releases into a place it knows. Dreams glide deeper.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
My mom couldn't afford dance shoes, so she put me in these old cowboy boots with a hard bottom so I could get some sound out. I used them for seven months. When I finally got real tap shoes, I was nervous. I kept moving my feet, thinking, 'Oh, so this is how it's supposed to sound.'
I love music in general. It's like girls and their clothes and shoes; when you love shoes, you love shoes. So, for me, I think it's a really dangerous thing to say I'm going to write the best dance song in the world.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
I'll never forget my high school acting teacher, Anthony Abeson, who said, "It starts with the shoes." When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them? If I'm going to put on a dress for a role - I don't care if it's the hardest dress to put on - I have to put the shoes on first. The physicality leads me to the character.
When I write, it's like choosing which shoes I'm going to put on. More often than not, my lyrics are personal - but I sometimes have to put myself in other people's shoes.
Would you just strap some toe shoes on and dance 'Swan Lake?' No. Would you just put a violin in your hand and - ? No. I felt that way about acting, and I was taught to feel that way. I didn't come to it on my own.
Whenever I went to a wedding or a party, girls kept complaining about their shoes. I love to dance, and I wanted them to have shoes they could keep on all night.
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