A Quote by David Bowie
For me a chameleon is something that disguises itself to look as much like its environment as possible. I always thought I did exactly the opposite of that.
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Fear wears so many clever disguises it is virtually impossible to always recognize it. Fear disguises itself as the need to be somewhere else, doing something else, not knowing how to do something or not needing to do something.
If you look at my iPod, I've got so much different music. I think that it kind of describes me as a person, just being a chameleon to whatever particular environment that I'm in.
I'm unfinished. I'm unfixed. And the reality is that's where God meets me is in the mess of my life, in the unfixedness, in the brokenness. I thought he did the opposite, he got rid of all that stuff. But if you read the Bible, if you look at it at all, constantly he was showing up in people's lives at the worst possible time of their life.
Im unfinished. Im unfixed. And the reality is thats where God meets me is in the mess of my life, in the unfixedness, in the brokenness. I thought he did the opposite, he got rid of all that stuff. But if you read the Bible, if you look at it at all, constantly he was showing up in peoples lives at the worst possible time of their life.
Other people think exactly the opposite: they surrender themselves without a second thought, hoping to find in passion the solutions to all their problems. They make the other person responsible for their happiness and blame them for their possible unhappiness. They are either euphoric because something marvelous has happened or depressed because something unexpected has just ruined everything.
People always meet me and go, 'You're so much cooler than I thought you'd be,' and I'm like, 'What did you expect me to be like?'
Katherine Heigl, she was exactly the opposite of what I thought she'd be like. She smokes cigarettes, or she did then, and she's got a truck-driver's mouth, and she's really funny.
Movies cost so much that studios really try to impose their personality over yours. A lot of times, you can get swallowed up in that and end up making movies that are indistinguishable from anybody else's. One of the things I've always tried to do is to inject myself as much as possible into the movie, so I feel like it's mine. But that also comes from what you choose to do and what you choose not to do. There are certain projects I could have said yes to, and I know exactly how they would have turned out: exactly the way they turned out when someone else did them.
Every living thing is a sort of imperialist, seeking to transform as much as possible of its environment into itself.
For me, there's always an early-'70s sense. There's always a sprinkle of it - if I do it exactly like that, sometimes it becomes too costume-y or too thought out. But the influences are there, without a doubt, always, because to me, that was the part that I also felt was the most defining of my own personality and my own style, and I also think that it's timeless. You never look wrong.
Also, I have found that I really like to work in English. It's very strange because it's exactly the opposite of what I thought it would be like.
It was actually the opposite of what a director once said to me. He said, 'Remember, everyone is here to serve you.' And as he walked away, I thought to myself, 'It's exactly the opposite: I'm here to serve everyone.
I've always been a chameleon from book to book, like a director who does different films in the best possible way.
The recent trading environment has felt something like walking into a place and having a sense that something is wrong and dangerous but not knowing exactly what will happen or when. “QE Infinity” has so distorted the prices of stocks and bonds that nobody can possibly determine what the investing landscape would look like, or what the condition of the economy and financial system would be, in the absence of Fed bond-buying.
Did you ever see a chameleon catch a fly? The chameleon gets behind the fly and remains motionless for some time, then he advances very slowly and gently, first putting forward one leg and then the other. At last, when well within reach, he darts his tongue and the fly disappears. England is the chameleon and I am that fly.
It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated.
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