A Quote by David Bowie
They're the salt of the earth, those girls. They don't sit each night and compare notes on groups, criticising lyrics, asking if it's valid. They just play the record... yeah, and maybe they dance. I love them. I love them dearly
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I would love to visit Brazil. It's one place I have not been. One of my dreams is to dance with the Carnival girls. I would love to experience a whole night of partying with them.
He loves me, he doesn't love my bowels, if they showed him my appendix in a glass he wouldn't recognize it, he's always feeling me, but if they put the glass in his hands he wouldn't touch it, he wouldn't think, "that's hers," you ought to love all of somebody, the esophagus, the liver, the intestines. Maybe we don't love them because we aren't used to them, but if we saw them the way we saw our hands and arms maybe we'd love them; the starfish must love each other better than we do.
For a while, I was working on transcribing rap lyrics and then converting them into rhythmic patterns on the piano. And so in my mind, when I was taking a solo, I would be saying the lyrics and trying to play actual notes to their rhythms. Now, the influence just comes in and out in my playing.
I love all those girls the same as they love me. I get thousands of letters a week from girls who love me.... Every time I sing a song, I make love to them. I'm a boudoir singer.
I am reminded of a story of Lord Krishna when he was a cowherd. Every night he invites the milkmaids to dance with him in the forest. They come and they dance. The night is dark, the fire in their midst roars and crackles, the beat of the music gets ever faster - the girls dance and dance and dance with their sweet lord, who has made himself so abundant as to be in the arms of each and every girl. But the moment the girls become possessive, the moment each one imagines that Krishna is her partner alone, he vanishes. So it is that we should not be jealous of God.
I'm not so interested in perfect, plastic beauty, and I think it translates in the girls I've shot over the years for Nars, from Guinevere to Iris to Mariacarla. I love those girls. I love the more interesting faces, with maybe a strange nose, not just the Texan blonde. By picking those girls, I think it's changed what I've seen in other campaigns.
Yeah, on the records, the guitars are made melodic, and I try to make it memorable. There's not much just wanking, to be honest - it's mostly melodic parts. I try not to play too many notes. It's just more instrumental music. It's a totally valid criticism if you don't like that kind of thing. It also is maybe a little anachronistic or unnecessary in a certain way.
I worked with dance a lot, for each character - different ways I could move my body, different music. It's the most fun thing in the world, because I love each and every one of the characters and I'd be happy just to play one of them, but the fact that I get to play upwards of six, seven, eight or whatever, it's a total dream.
He has an armload of irises and daisies and tulips and he presents them to me. I didn't know what kind of flowers you like.I like them all.Yeah?Yeah.He tries to hand them to me, but then remembers the cast. I'll put them in water.Betty swoops in the room ridiculously fast and she grabs the flowers out of Nick's hands. I'll take care of them. You lovebirds just sit on the couch and think swooning things at each other.
And if those children are unresponsive, maybe you can't teach them yet, but you can love them. And if you love them today, maybe you can teach them tomorrow.
One night, I remember being really sick in bed with chills and a fever when Ann came in all excited and said, 'I have these lyrics! Let me read them to you!' They were the lyrics to 'Crazy on You,' and in my fever haze I said, 'Yeah! Those are really good!'
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
Whenever I went to a wedding or a party, girls kept complaining about their shoes. I love to dance, and I wanted them to have shoes they could keep on all night.
There is a string that connects us that is not visible to the eye. Maybe every person has more than one soul they are connected to, and all over the world there are those invisible strings... Maybe the chances that you'll find each and every one of your soul mates is slim. But sometimes you're lucky enough to stumble across one. And you feel a tug. And it's not so much a choice to love them though their flaws and through your differences, but rather you love them without even trying. You love their flaws.
Lost love is still love. It takes a different form, that's all. You can't see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it.
The seven white notes on the piano - each section of the piece (there are 12 sections) is five of those seven white notes. If you calculate it, there are 21 groups of five notes in any group of seven notes. And although there are 12 sections, this piece actually uses nine of those groups because some of the sections repeat earlier ones. So that's the formula. It's very simple as a way of generating something. It's my inner minimalist.
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