A Quote by David Bowie

I don't like to read things that people write about me. I'd rather read what kids have to say about me, because it's not their profession to do that. — © David Bowie
I don't like to read things that people write about me. I'd rather read what kids have to say about me, because it's not their profession to do that.
I don't like to read things that people write about me. I'd rather read what kids have to say about me because it's not their profession to do that.
Whenever people say nice things to me, I think they're just saying them because I'm standing right in front of them. Even when I read articles that say good things about me, I forget about them right away. When I read about people pointing out my flaws, however, I think about them a lot.
You know that I had heard so many times people say things like, 'You could never write 'Harry Potter' and have it be about Harriett Potter because nobody would read it; people only want to read an adventure story if it's about a boy,' and I thought, 'I don't think that's true.'
I think most people, including me, like to read gossipy things about others: revealing things that I love to read but I don't really want known about me.
I write an actual script rather quickly - a draft will take me two weeks - but I write a lot of drafts. My big thing is I don't re-read. When I write, I never re-read back. I'll send it, because if I re-read back, it will cripple me.
I don't listen to what people say about me and I don't read what they write about me. People can compare me to anyone they want to, but I'm not going to worry about it.
I'd read things, like people criticizing me. But no one likes to read stuff about that, and probably the main thing that was getting to me was me mum's illness.
I always say that, to me, it starts with reading. This is something I tell high school kids, college kids, people trying to get into the business, that it's just so much about reading. Read, read, read. So much of everything else falls into place when you just do a ton of reading.
I follow my own nose. So I read things that are different. People will always say to me, "Have you read Robert S. Bosco's latest novel?" or "Have you read so and so's history of Peru, which is reviewed in the New York Review of Books and the New York Times and has a buzz about it?" I don't even know what you're talking about. I'm like from another planet. I'm a pygmy from the jungle.
I write so that people will read what I write. I don't want to write a book that a thousand people read, or just privileged people read. I want to write a book whose emotional truth people can understand. For me, that's what it's about.
If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
I don't read things that people say about me online. They write nasty things just to mess with you. I don't need that in my life.
I never learned to be a writer. I never took screenwriting courses. I never read anyone's scripts. As a writer, my only guiding principle has been to write about things that scare me, write about things that make me feel vulnerable, write about things that will expose my deepest fears, so that's how I write.
I just try to put the thing out and hope somebody will read it. Someone says: 'Whom do you write for?' I reply: 'Do you read me?' If they say 'Yes,' I say, 'Do you like it?' If they say 'No,' then I say, 'I don't write for you.'
One of the bad things about being a filmmaker, about being me, is I can hardly read a book anymore because every time I read something, I have a poaching mentality, like, 'Oh, can this be a movie?'
Sometimes I sit in my den at home and read stories about myself. Kids used to save whole scrapbooks on me. They get tired of them and mail them to me. I'll go in there and read them, and you know what? They might as well be about (Stan) Musial and (Joe) DiMaggio, it's like reading about somebody else.
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