A Quote by David Bowie
I'm rather kind of old school, thinking that when an artist does his work it's no longer his.
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I'm rather kind of old school, thinking that when an artist does his work, it's no longer his... I just see what people make of it.
The artist never really has any control over the impact of his work. If he starts thinking about the impact of his work, then he becomes a lesser artist.
I established the rule that once we hire an employee, his school records are a matter of the past and are no longer used to evaluate his work or decide on his promotion.
I remember a moment when the Prince went back to his old school, Grammar School in Melbourne, and slightly to his horror his old music teacher produced a cello.
It is very good advice to believe only what an artist does, rather than what he says about his work.
Clearly the hardest thing for the working artist is to create his own conception and follow it, unafraid of the strictures it imposes, however rigid these may be... I see it as the clearest evidence of genius when an artist follows his conception, his idea, his principle, so unswervingly that he has this truth of his constantly in his control, never letting go of it even for the sake of his own enjoyment of his work.
The fact that labour is external to the worker, i.e., it does not belong to his intrinsic nature; that in his work, therefore he does not affirm himself but denies himself, does not feel content but unhappy, does not develop freely his physical and mental energy but mortifies his body and his mind. The worker therefore only feels himself outside his work, and in his work feels outside himself.
If the artist does not fling himself, without reflecting, into his work, as Curtis flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent.
It is only in his work that an artist can find reality and satisfaction, for the actual world is less intense than the world of his invention and consequently his life, without recourse to violent disorder, does not seem very substantial. The right condition for him is that in which his work in not only convenient but unavoidable.
An artist who theorizes about his work is no longer artist but critic.
I don't claim anything of the work. It is his work. I am like a little pencil in his hand. That is all. He does the thinking. He does the writing. The pencil has nothing to do with it.
This is Darrow, Inadequately scrawled, with his young, old heart, And his drawl, and his infinite paradox And his sadness, and kindness, And his artist sense that drives him to shape his life To something harmonious, even against the schemes of God.
The personal lives of painters are tragic and inevitable and do not explain the artist. For the artist is his work and no longer human.
Mary is God's masterpiece. Have you ever walked into a museum where an artist was displaying his work? Can you imagine him being offended if you were viewing what he considered to be his masterpiece? Would he resent your looking at that instead of at him? 'Hey, you should be looking at me!' Rather, the artist would receive honor because of the attention you were giving his work. And Mary is God's work, from beginning to end.
But the creative person is subject to a different, higher law than mere national law. Whoever has to create a work, whoever has tobring about a discovery or deed which will further the cause of all of humanity, no longer has his home in his native land but rather in his work.
The scientist is a practical man and his are practical (i.e., practically attainable) aims. He does not seek the ultimate but the proximate. He does not speak of the last analysis but rather of the next approximation. His are not those beautiful structures so delicately designed that a single flaw may cause the collapse of the whole. The scientist builds slowly and with a gross but solid kind of masonry. If dissatisfied with any of his work, even if it be near the very foundations, he can replace that part without damage to the remainder.
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