A Quote by David Bowie
I kind of miss that "becoming" stage, as most times you really don't know what's around the corner. Now, of course, I've kind of knocked on the door and heard a muffled answer. Nevertheless, I still don't know what the voice is saying, or even what language it's in.
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I love the ambiguous kind of endings. I think, oftentimes, that's what life really is - there's no concrete path for you to take. It's always kind of a jumble of variables. Behind this door could be a beautiful woman, and behind the same door could be a tiger, you know? You don't know.
Saying, 'I'll find the answer for you,' opens the door for people to still come to me with questions. Even if I don't have an immediate answer, I build trust by finding the answer.
Of course, I know everything that happens in Russia. But even at the most dangerous moment or the most negative moment now, it's still 10 times better than what it was in the communist state.
At one time, I was very angry. I even treated fashion like a kind of crusade: you were either with us or against us, that kind of feeling. Now I know we need ideas, not kicking down a door.
We have jokingly said if you've got good hair, can sing and know three chords, you can lead worship at First Baptist Houston or wherever. But that's kind of scary, putting somebody on stage just because they have a good voice. Do they know theologically and spiritually what they're saying and why they're doing it?
Even though we don't speak the same language, we're friends. I still make him laugh. You know it's hard to make Fedor laugh, he don't change his facial expressions at all. I don't even know if he understands what I be saying, but when he gets around me, he be smiling.
I was feeling safe. Not the kind of safe where you know there are still bad things howling outside the door waiting to get in. No, it was the kind of safe where you sink down in your bed at the end of the day and know you can go to sleep and everything is going to be the same tomorrow.
I tell people a lot of times, if you want to be a part of something, you never know, you kind of just have to be around. A lot of people don't really have the patience for it, and they don't stick around. Dre and I are still working together, and we have plenty of music for the future.
[In] the 21st century, the mainstream can satisfy your every whim. I guess the idea of walking around with groups of people dressed the same and saying, "I'm only into ska" or "I'm only into whatever" - is kind of restrictive in the 21st century. I don't know if it's a bad thing that these movements have run their course. I think what I miss about it is the collective experience.
It’s like the grief has been covered over with some kind of blanket. It’s still there, but the sharpest edges are .. muffled, sort of. Then, ever now and then, I lift the corner of the blanket just to check, and .. whoa! Like a knife! I’m not sure that will ever change.
We went on tour with Phoenix. I don't really know anything about Phoenix I'd heard a couple songs. And I thought, I don't really know if I want to go on this, it's kind of weird, kind of a pain in the ass for us. But everyone was like YOU HAVE TO DO IT, it's going to be so good for your career. And I mean I don't know if it was good for our career but the guys in the band were super huge sweethearts.
I enjoy singing the songs a certain way, but I don't even know how the writing even began. To me, it's work that is kind of invisible; it's a weird kind of work to have because you're not working, but it's not not work. Formulating your thoughts and making a melody that's catchy enough for people to listen to what you're saying is really hard!
When you're drawing something, you kind of run a movie in your head. You might close your eyes or stare into the distance and kind of see a movie unfolding and, you know, grab a certain moment or think, 'Oh, yeah, that's when we need just the point that he appears around the corner but just as she's getting into the car,' you know?
A long way of saying I've seen a lot of kind of more systemic and processed changes. Although we still are providing the kind of material you're still seeing out there now.
We don't always know what makes us happy. We know, instead, what we think SHOULD. We are baffled and confused when our attempts at happiness fail...We are mute when it comes to naming accurately our own preferences, delights, gifts, talents. The voice of our original self is often muffled, overwhelmed, even strangled, by the voices of other people's expectations. The tongue of the original self is the language of the heart.
We've traditionally thought of media on this traditional left/right spectrum and most media's kind of clustered in the center and I think people have traditionally thought of HuffPost as being this kind of liberal, progressive voice and that's, you know I think they're are good reasons for thinking that. I mean it started after George W. Bush was reelected and was an answer to the Drudge Report.
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