A Quote by David Bowie
Critics I don't understand. They get too intellectual. They're not very well-versed in street talk; it takes them longer to say it. So they have to do it in dictionaries and they take longer to say it.
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When you choose the hard things, it takes longer than you think to get it done, and if you choose the hard thing and have a very particular way you want to do them and are uncompromising in that, then sometimes it takes even longer.
I read the other day that Minor White said it takes twenty years to become a photographer. I think that is a bit of an exaggeration. I would say, judging from myself, that it takes at least eight or nine years. But it does not take any longer than it takes to learn to play the piano or the violin. If it takes twenty years, you might as well forget about it!
I should have said something. ... But my mouth wouldn't open, and the longer I stood there in silence, the better I can to understand the problem. It wasn't that I had nothing to say to him. It was that I had too much to say.
I forewarn you, this will be a rather long talk. I am an old man. I do not know how much longer I will live, and so I want to say what I have to say, while I have the strength to say it. ...Having been warned, some of you will wish to get comfortable. Pleasant dreams.
Being smart young men, they say to themselves, "I want to get married, have a family, and I understand my wife wants to work too. Do you, Vicki, know how to help us do that?" Because they're no longer looking at that prospective wife, saying, "Well this is wonderful, you're getting educated, but of course as soon as we get married, you're going to stay home and make babies."
... when there is a war the years are longer that is to say the days are longer the months are longer the years are much longer but the weeks are shorter that is what makes a war.
The novels take longer to write than the picture book texts, and they do take a different sort of concentration. However, a very short, simple story that works well is just as exciting to me as any longer and more complex book.
When you talk with famous scholars, the best thing is to pretend that occasionally you do not quite understand them. If you understand too little, you will be despised; if you understand too much, you will be disliked; if you just fail occasionally to understand them, you will suit each other very well.
As we get older, our fears, in some way, sharpen and become more personal, because we can no longer - let's say take a book like "It" or maybe "Christine," and say these are make-believe fears.
It's [Into the Badlands] something that's very, very different and I think that's why it divided critics initially because they didn't understand it or get it. They didn't understand or have a knowledge of what we were trying to do. Bringing in the Asian martial arts aesthetic to American television. For us, these are the people who will make the show a hit or a failure in future seasons. So it's for us to respect them and interact and see what they have to say.
If we have a situation where a man is particularly graceful in a sport that rewards grace - say, for example, figure skating - why is it that we don't say to the man, 'Well, you're too feminine to compete?'... I don't understand why we don't find it offensive also to say to a women who's very strong, 'You're too masculine to compete.'
Trying to use words, and every attempt Is a wholly new start, and a different kind of failure Because one has only learnt to get the better of words For the thing one no longer has to say, or the way in which One is no longer disposed to say it. And so each venture Is a new beginning, a raid on the inarticulate With shabby equipment always deteriorating In the general mess of imprecision of feeling.
Living longer is about loving longer, learning longer, teaching longer, connecting longer, if we figure out the supports and infrastructure to make all of that possible — and it is completely within reach.
I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them "Our exercise today is not to use 'undo' at all. So, there's no second takes. Or, if you do a second take, you have to do the whole take. There's no sort of drop in, change that little bit". The session broke down in, I'd say, 40 minutes. It was impossible for people to work in that restriction any longer.
People say that if you talk too much about sex, you take away the mystery. I say, if you're somebody who likes to talk, talk all you want - it's not listening. You will never take away the mystery.
The selfie has become a new autograph, but it takes twice as long to do as a real autograph. I do it because I'm like, "What am I going to do, these people bought me my house." Why am I not going to take a picture with them except I always say, "You have to hold it up! Shoot down or it's really ugly if you shoot up!" So not only does it take longer, you have to teach them camera angles.
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