A Quote by David Bowie

I don't think I did anything that my contemporaries didn't; it was just that I was the only one who talked about it. In the Sixties anyone who had a sense of style seemed to be gay. I wanted to indentify with that.
My own feeling about JJ, without knowing anything about him, was that he might have been a gay person, because he had long hair and spoke American. A lot of Americans are gay people, aren’t they? I know they didn’t invent gayness, because they say that was the Greeks. But they helped bring it back into fashion. Being gay was a bit like the Olympics: it disappeared in ancient times, and then they brought it back in the twentieth century. Anyway, I didn’t know anything about gays, so I just presumed they were all unhappy and wanted to kill themselves.
Growing up in Atlanta I always had a sense of what fashion was, a sense of style - my parents always talked about the importance of making a first impression and that's stayed with me.
You're talking about the 1970s now and not the 1950s. We were all more sophisticated by that time, and I just assumed he was gay. But I do remember when we were all sitting around on a roof one night and Larry turned to me and said, "You do know I'm gay, don't you?" There was a statement made. A declaration. We just never had really talked about it.
I talked about everything, man. I've always written material that everyone can laugh at. I talked about growing up. I did a lot of physical comedy. That was my thing. I was a physical comedian. I did anything and everything from running on a treadmill, I can paint a picture on stage of anything.
Fidel Castro just talked a long time, and he talked and he talked and he talked and he talked... and he talked during the meeting. I think it was about four hours. But I guess that's part of the Castro spirit.
He lay far across the room from her, on a winter island separated by an empty sea. She talked to him for what seemed a long while and she talked about this and she talked about that and it was only words, like the words he had heard once in a nursery at a friend's house, a two-year-old child building word patters, like jargon, making pretty sounds in the air.
[John D. Rockefeller] didn't care about anyone he did anything just to be rich and be the only company standing without any competition. He destroyed anyone else.
Of all the men who were said to be my contemporaries, it seemed to me that John Brown was the only one who had not died.
My mother used to say that when I told her that I wanted to be an artist, her famous line was, 'The only artists I've ever heard of are dead.' It just wasn't in her experience... I don't think she had a sense that one could be an artist, because there wasn't anyone in my family who had done that.
I don't think that there is one "authentic" element of American style to identity - it's about a sense of freedom, individuality, and embracing personal style. Fashion also has a bit of mystery, which is part of the allure, and yet anyone can partake.
I always say that, I never talked about the NBA, I never talked about anything because I was just playing basketball for fun. I didn't think about being a professional and I didn't even know you could be signed.
When I began to think deeply about the metaphysics of love I talked with everyone around me about it. I talked to large audiences and even had wee one-on-one conversations with children about the way they think about love. I talked about love in every state, everywhere I traveled.
My contract with mercury PolyGram Nashville was about to expire. And I never had really been happy. The company, the record company, just didn't put any promotion behind me. I think one album, maybe the last one I did, they pressed 500 copies. And I was just disgusted with it. And about that time that I got to feeling that way, Lou Robin, my manager, came to me and talked to me about a man called Rick Rubin that he had been talking to that wanted me to sign with his record company.
Heterosexual women ask questions that are a lot to do with what I did to my body and what that was like to lose all that weight and so on. To me it just reveals that that's a preoccupation of theirs. Or gay women have been really keen on knowing how I felt about playing a gay character and have often wanted to talk about their own experiences with children. Straight men have often shown some sense of relief, that they get to experience the philanderer as a woman and not have to judge her in the same way. That's fascinating to me.
A French critic referred to me as a gay pessimist, with gay used in its older sense, and talked of Cocteau in the same breath.
When I went into 'Fiddler,' I wondered about the response I'd get - the backlash because I'm openly gay. There was none. I toured Canada and America, and not one single review suggested that I played the role gay or that I seemed anything but Tevye.
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