A Quote by David Bowie
It would be my guess that Madonna is not a very happy woman. From my own experience, having gone through persona changes like that, that kind of clawing need to be the center of attention is not a pleasant place to be.
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No TV, no acting for me. I'm kind of a more behind-the-scenes kind of woman even though what I do is very public. I'm really low-key and I don't need to be the center of attention.
My experience with life is that it's very fragmented. In one place certain kinds of thing occur, and in another place a different kind of thing occurs. I would like my work to have some vivid indication of those differences. I guess, in painting, it would amount to different kinds of space being represented in it.
The fact of having this very new context, this unheard-of way of working, for me was very pleasant. I didn't feel that I was working, that I had any kind of burden to wear, to carry. I really was very happy and very lighthearted during the whole process of making the film [Certified Copy], of shooting it.
'IT IS IMPOSSIBLE FOR YOU TO DO IT,' WAS THE TERRIBLE VERDICT. 'IN THE FIRST PLACE YOU ARE A WOMAN AND WOULD NEED A PROTECTOR, AND EVEN IF IT WERE POSSIBLE FOR YOU TO TRAVEL ALONE YOU WOULD NEED TO CARRY SO MUCH BAGGAGE THAT IT WOULD DETAIN YOU IN MAKING RAPID CHANGES. BESIDES YOU SPEAK NOTHING BUT ENGLISH, SO THERE IS NO USE TALKING ABOUT IT; NO ONE BUT A MAN CAN DO THIS.'
You're growing and changing, and eventually, you can go from having all these friends to feeling like you have no one, because you've been betrayed, or you've gone through things. But in this moment, I'm in such a good place with my friends. I feel confident and I'm happy there are people who I can truly trust in my life.
Usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes. I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and the colors around it and what it will really look like. It's only a guess at the beginning, and then I try to refine it.
I was going through so many changes in my life - separation with my wife, having an affair - that was all very messy and public. It felt like if I really wanted to rock my boat and make changes in my life and who I am and how I am, that would also mean moving on from Cheers.
I've been working as an actress since I was very young, and I know a lot of people who are actors who don't have to deal with having a persona... You know, if you look up the word persona, it isn't even real. The whole meaning of the word is that it's made up, and it's like I didn't even get to make up my own. It can be annoying.
Well, of course there’s my own experience of being mutilated as a little child. Having gone through this cruel practice and all the long-term consequences that come with it, I just cannot sit back and watch it being done to thousands of little girls every year. I believe that it is my responsibility to use the attention I get to fight against the continuing practice of FGM.
Each championship has felt different in its own way, I guess because I've been in different place of my life; I've gone through different things.
The kind of improv that I'm particularly addicted to is the kind that... aims at creating a momentary, fragmentary experience that has a totality to it. It's kind of like fireworks. It's the more ephemeral of art forms - once it's gone, it's gone, baby.
It's helpful to just hear things through friends' ears, people who know you well. I guess when I started Dirty Projectors, when I was, like, 20, I always imagined it would be kind of like an amphibious vehicle: something that could go with me wherever I need to go. That kind of constant change has been in the DNA from the beginning.
I have always been known as Mahesh Bhatt's wife, and I would tell people, 'Hello! I'm here!' This has always been a struggle. I would like to be known for who I am. I'm very happy to be known as his wife or Alia's mother. But I am also a person who, in her own right, has gone through quite a lot of odds.
In certain areas where the media are still controlled, the changes have come to a halt, which is a very frustrating situation. I would like the changes to take place throughout China.
There are very few actors who elevate a scene through their persona. Like for example, Rajinikanth does it with his style. He doesn't need anything else.
I can go into the wilderness and not see anyone for days and experience a kind of space that hasn't changed for tens of thousands of years. Having that experience was necessary to my perception of how photography can look at the changes humanity has brought about in the landscape. My work does become a kind of lament.
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