A Quote by David Bowie

I had to resign myself, many years ago, that I'm not too articulate when it comes to explaining how I feel about things. But my music does it for me, it really does. — © David Bowie
I had to resign myself, many years ago, that I'm not too articulate when it comes to explaining how I feel about things. But my music does it for me, it really does.
The way the music comes to you starts to affect how you listen to music. When you're a kid, it's 'Does it rock? Does it make me feel good? Does it make me tap my feet? Does it make me go to sleep?'
What does gene A do? What does gene B do? What does it do in different contexts? What's its importance? We know the answer to that for a very small number of genes, the ones that made themselves evident many years ago.
There is not one thing that music does which does not say something about how a person should organize himself, too.
Sometimes when you read the Bible, you find yourself asking, "How does this book know that about me? How does it know that about our world - especially when it was written so long ago?"
Tradition does not mean a dead town; it does not mean that the living are dead but that the dead are alive. It means that it still matters what Penn did two hundred years ago or what Franklin did a hundred years ago; I never could feel in New York that it mattered what anybody did an hour ago.
You know, I really feel a responsibility to the music, and I teach workshops in music sometimes. And folks do come to me and they go, 'How do I make this blues song my own? How do I feel like I'm not an impostor doing this?' And I'm like, 'That's an excellent question.' That's where you should start, where you go, 'How does this speak to me?'
I've not often been a man of many words. I've never considered myself to be overly articulate. I do feel more comfortable acting something out than I do explaining something or whatever.
Yes, business really does change. 400 years ago, corporations were formed by royal decree. 300 years ago, many countries were powered by slave labour, or its closest moral equivalent. 200 years ago, debtors didn't go bankrupt, they went to prison. 100 years ago - well, business is largely the same as it was a century ago. And that's exactly the problem. Business hasn't changed, but today's array of tectonic global shocks demands a different, radically better kind of business. Yesterday's corporations visibly cannot meet today's economic challenges.
Really, the arc for the first season of 'Luke Cage' is 'hero.' How does one become a hero? What does one feel about being a hero? How does one live their life and eventually go through the Elizabeth Kubler-Ross stages of grief until the acceptance is, 'Fine, I'm a hero.' This is what it is.
What does it mean to dance? What does it mean to commit a crime? What does it mean to be anxious? What does it mean to tell a joke? The great thing about the French is that they have thought about these subjects in a great variety of ways and are a very articulate people.
I had to perform in Dallas at the W Hotel. I was with my best friend, and I had walked on in to the area where I was meeting the crew. Then my best friend came in, and he's like, "This girl at the front desk asked, 'Is his name Quindon? I know him, he's that guy from Romeo + Juliet, I'm one of his big fans.'" I was just like, how does she recognize me from then to now? I was wowed by that because here I am 34, it was 20 years ago, and how does she recognize me?
One of the things that comedy has given me over the years is a really good ability to laugh at myself and to not take things that don't matter too much too seriously. I feel that very little offends me anymore and I'm really grateful for that because I think I was a pretty uptight little kid.
Just keep asking questions. Does this job allow me to be myself? Does it make me smarter? Does it open doors? Does it represent a compromise I accept? Does it touch my inner being?
It's always annoying to me when I see Nick Cannon on a press appearance and everyone's asking about Mariah Carey. Give this guy a break. How many years and how many ways does he have to answer the stupid question.
For me reading the book [The Exorcist], I had the same questions that everyone else had. How does she jump up and down off the bed? How does her head spin around? How does she throw up?
My journey began when I found out about YouTube on how do you make music, and from that, people started explaining me how I had to do it.
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