A Quote by David Bowie

I wanted to be Gerry Mulligan, only, see, I didn't have any kind of technique. So I thought, well, baritone sax is kind of easier; I can manage that - except I couldn't afford a baritone, so I bought an alto, which was the same fingering.
When I was younger, I'd go to the Museum of Television and Radio in New York and watch this beautiful clip of Billie Holiday playing with a bassist, a pianist and Gerry Mulligan, who was a friend of mine, on baritone sax. At one point, she looks over at Gerry, and they just smile. When those moments happen, it's just lovely.
When I was 9 years old, I wanted to be the baritone sax player in the Little Richard band.
I was always mimicking high-register singers as a kid but I also studied operating as a baritone because I'm a natural baritone.
The baritone can serve functions that the alto and tenor cannot, in orchestral voicing
The baritone can serve functions that the alto and tenor cannot, in orchestral voicing.
So I played alto for quite a while until I saved up the money for the baritone.
So I played alto for quite a while until I saved up the money for the baritone
You know, that was the first time [with Any Winehouse] that I probably ever used a baritone sax. And it's certainly the texture that, you know - it's all over the record 'cause it's a nice compliment to her tone.
Well, you know, the first step I took was to drop the alto and baritone and concentrate on tenor exclusively, a decision I've never really looked back on with any regret. Another thing was that I was 17 when I moved up there, and my listening had really focused on freer music in the previous couple of years- Coltrane was playing with his expanded group, and everyone was listening closely to that, and we were into Shepp and Ayler as well.
For years The National has been labeled as a gloomy kind of rock bandI think mostly because of Matt’s deep baritone voice, which even if he is singing about unicorns and butterflies, he just sounds sad most of the time.
I don't have that kind of voice, the big baritone or rousing tenor sound. My wheelhouse was in the frothier pieces. So my appreciation for those older musicals and revivals grew.
Gerry Mulligan and Chet Baker seemed so sophisticated and bad. I wanted to be like that.
I've played drums since I was 15. My sisters and I all played instruments. I kind of started with piano and then I actually played saxophone with a jazz band in middle school. So, any knowledge I had of jazz music was from playing alto-sax back then.
Sitting around home I mostly play acoustic. I've got seven or eight guitars of various sorts, including a baritone. Sometimes at home, because a guitar is just lying around, that's the guitar I pick up rather than actually choosing something. I try to plan ahead for my laziness by leaving interesting things scattered about. If I leave a baritone guitar lying around, that's the one I'll pick up, and I'll start writing baritoney things.
I think we had a Ben Webster/Gerry Mulligan record... that might have been it. We only had a few records in the house.
You know, the primary process itself is very confusing. But in the end, I guess I believe what Winston Churchill said, which is that democracy is the worst form of government except for all the others. And that phrase of his, which I always have previously thought to be kind of acute, more recently I've thought of it in this way, to say well, you know what, he's also saying it's the worst form of government - except for all of the others.
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