A Quote by David Bowie

I'll tell you who I absolutely adore: Ian McEwan. — © David Bowie
I'll tell you who I absolutely adore: Ian McEwan.
I have dipped into Ian McEwan and so on. I tend not to stick with one writer. But I dip in here and there.
People like Ian McEwan and Jonathan Franzen completely bore me.
There are some novelists who can get away with writing about sex - Philip Roth, Ian McEwan - but they are rare.
Your basic, well-made novel by Ian McEwan or Jonathan Franzen just bores me silly.
Ian McEwan is a very good writer; the first half of Atonement alone would ensure him a lasting place in English letters.
When it comes to writers, I'm a huge fan of Ian McEwan. I've never taken a writing course, but reading and deconstructing his novels has been as good a lesson as any.
I read everything by Ian McEwan, he is so elegant. I love reading anything about Shakespeare, too. He is my first love. If I had a time machine, I would be hanging out with him.
Since my adaptation of Ian McEwan's 'Atonement,' I get sent a lot of novels that people think will work as movies. So every now and then I make a point of sitting down and reading a couple of them.
One thing about the fantasy dinner party idea that no one considers is whether these people are going to get on. I would say John McEnroe and Ian McEwan, but what would they have to say to each other?
I tried to tell you that it's not Spade in there." "You could have tried harder. I absolutely never needed to know that Ian was pierced down there.
There are few writers who, if they publish anything, I am going to buy it: Ian McEwan, Scott Turow, Pat Conroy - he was a buddy of mine and I always read his stuff. Also: Harlan Coben, Elmore Leonard, John Le Carre, but he's pushing ninety.
William Kittredge's 'Hole in the Sky' is one of my favorite books. Ian Frazier's 'Family' I adore.
The computer beeped as the upload completed. A moment later, Ian Kabra appeared on the screen. Dan was surprised. "Hey, Ian, isn't it, like, two in the morning back there?" "It's called jet lag," Ian informed him. "I'm still on London time. I don't suppose you savages have any tea in this mausoleum." "There's a diet Snapple in the fridge." Ian shuddered. "I thought not.
I—I adore you, too. Well, I don't know if I adore you. That's not really the word I'd use. But I—I—" I managed to wrench it out. God, this was hard! "I love you." "Of course you do," he said, totally unsurprised. "WHAT? I finally tell you my deepest, most personal feelings and you're all, 'Yeah, I already got that memo'? This, this is why you drive me nuts! This is why it's so hard to tell you things! I take it back.
The role I played [in theatre] was originated by Ian McKellen in 1979 and he came. I didn't know he was there and I walked out at the end of the play, which is a very intense play - my character is required to do some really horrible things - and the director was waiting backstage and he goes, "Obviously I didn't want to tell you guys, but Ian was here today" and we, of course, freaked out.Ian McKellen said some really beautiful, kind things, one of which was, "It's so much harder to watch than it is to do."
Something we do know is that review coverage does go to male authors more than women authors. That's a fact. I think it's one of those examples of unconscious bias: If you hire a lot of male journalists, they're more likely to pick up the latest Ian McEwan novel than the latest A.S. Byatt novel.
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