A Quote by David Bowie
Nearly all the synth work on Heathen is mine and some of the piano.
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I was given a lot of homework: I had to practise ironing as a synth, practise washing up as a synth, cooking a meal as a synth. It's definitely the most prep I've had to do for a role.
I had an affinity for music and could play anything I heard on the piano, but I wasn't scholastically advanced in any way. It was more of a habitual tendency. I would work on weekends at piano bars playing jazz when I was an art student, but the music wasn't mine - it was covers: everything from Radiohead to really old jazz. But other than that, the only training I had was piano lessons from when I was nine until I was eleven.
I bought this Oxygen midi synth from a flea market in Boston for $10. And then I found a cord in my house that fit it, and so I just started using that to do synth stuff in GarageBand.
If you make it sound too much like a synth, it will just sound like a guitar part played on a synth.
My risk tolerance is higher than some people's, but it's not nearly as high as some people's. I don't want to exaggerate my bravado. I haven't been on the front lines. I haven't ever stepped on a land mine.
The Christian missionary may preach the gospel to the poor naked heathen, but the spiritual heathen who populate Europe have as yet heard nothing of Christianity.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
Sometimes I can sit at my computer and find a cool sound, or a new synth patch, and get super-inspired by that and make a track based on that sound. But the piano is where I find the inspiration and come up with the melody.
In HEATHEN, R. Flowers Rivera remixes the classical and the Biblical, the usual and the typical until what we thought we knew of ourselves and others is new again. The mythic becomes particular; the particular becomes mythic in these fascinating poems of personalities and personas. Rivera’s work is rich in empathy and invention. Heathen is a book of psalms for the present day.
If we allow the consideration of heathen morality and heathen religion to absolve us from the duty of preaching the gospel we are really deposing Christ from His throne in our own souls.
The quarrels and divisions about religion were evils unknown to the heathen. The reason was because the religion of the heathen consisted rather in rites and ceremonies than in any constant belief.
The synth helped us in that it meant you didn't have to be a traditional four-piece band and basically, you didn't have to work too hard.
I was really into what is called "minimal synth" - music made strictly on analog synths, and also cold wave, basically a more synth-based version of European post-punk, at that point. So, I decided my own show Minimal Wave was a good way to combine the minimal electronics aspect with the "wave," where guitars come into play.
There's this weird game called 'Blueberry Garden.' For that game an artist recorded some piano music, but evidently he only had a really terrible microphone on top of the piano, and I really liked it and wanted to experiment with that. So, I made piano recording and really mangled it, and kept experimenting with the technique.
At school there were some programs in music. I did take piano lessons, and we had a piano at home. I got very interested in that.
Brian Eno and Robert Fripp's foray into some artful excursions into some ethereal electric experiments. There was a lot curious activities emerging in London, Amsterdam, and Berlin back then developing some fiercely fuzzy of synth-like effects way outside the norm which really blew the lid off things.
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