A Quote by David Bowie

From my standpoint, being an artist, I want to see what the new construction is between artist and audience. — © David Bowie
From my standpoint, being an artist, I want to see what the new construction is between artist and audience.
It wasn't supposed to work - being a new artist, a female artist, an artist on an independent. That's what made it so much sweeter when we hit No. 1.
There's a tendency to make more money at concerts. That's from a financial standpoint. Night clubs have a better feel, better contact between the artist and the audience.
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
If you are the record label who owns Lady Gaga, and you have a new artist coming up, you can say, 'Let's have the artist play just before Gaga.' Now you've exposed the huge Gaga audience to the new artist. It's similar to showing a trailer before a movie. The hit creates a hit.
There's traditionally been a large disconnection in contemporary art between the audience and the artist. Generally, audiences are looking towards what they like, and I can tell you, that's the last thing on an artist's mind.
I am an artist, and I understand the pros and cons of being an artist, and the pressures of being an artist, and how much being an artist can be torture to people around you; you know, you friends and your family and how material you can be, and how it's hard to take criticism and all the things like that.
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
I never considered myself an artist. I aspire to be an artist, but I never thought I had the depth or substance or gift to be an artist. I do think I have some talent, but it doesn't go as far as being an artist.
Exhibitions of minority art are often intended to make the minority itself more aware of its collective experience. Reinforcing the common memory of miseries and triumphs will, it is expected, strengthen the unity of the group and its determination to achieve a better future. But emphasizing shared experience as opposed to the artist's consciousness of self (which includes his personal and unshared experience of masterpieces) brings to the fore the tension in the individual artist between being an artist and being a minority artist.
The audience will find the artist who matches their interests. If you're not being true to yourself, your audience can't find you, because there's a wall up between who you are and who they're seeing.
I wouldn’t want to be labelled unless it was something much broader and inclusive such as an ecological artist or a visionary artist, but there’s a constraint in the definition of a feminist artist, you’re an artist and you’re a feminist.
Being an artist, I had an artist's instincts.You can see the picture before it's taken; then it's up to you to get the camera to see
I don't want to feel like the cool kid in the crowd who doesn't want to do what the artist's saying. I want to be so in awe of the artist that I'm literally jumping up and down, even if I've got on brand new Louboutins.
I love the idea of finding new talent, however you do it, and the television mechanism - seeing artists grow and rise to the occasion - is a medium that actually works because there's a way for the audience to get to know an artist and for the artist to improve.
Because Ivy [Wilkes] is just starting out as an artist, I wanted to focus on [Georgia] O'Keeffe's experiences when she was just starting out. I suspect there is a difference between being an unknown artist and being a celebrated artist. When nobody knows your work, nobody except you really cares whether or not you paint.
Ask any rapper or singer what artist they are an expert on. What artist are they looking to emulate, and really, what artist is the one person they are an expert on? You see, if you want any kind of longevity, if you want any kind of legacy, you need to know what ancestral line you are from.
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