A Quote by David Bowie
The skin of my character in 'The Man Who Fell to Earth' was some concoction, a spermatozoon of an alien nature that was obscene and weird-looking.
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In oddball places, the electric guitar has been taken as an almost alien object - this weird, six-stringed instrument that fell down to earth and was then played loud but with traditional grace and intelligence
To me, skin is alien and kind of weird; it weirds me out. It's strange, but it's also really intimate and personal; it's living, organic. That's how I want the music to sound; I want it to feel alien and strange, but also like it's got a heartbeat, like it's got a soul, like it's not made by a robot.
There's a movie called 'Pod People' that has a weird little anteater alien. That was a good alien.
How do you know Hollywood is getting serious about video games? They want to make one of their own. In 'Defiance,' the remaining humans on Earth, as well as alien species looking for a new home, find themselves settling for peace after a massive war desecrated the world and destroyed most of the alien ships along with it.
I was taught to respect everyone for the simple reason that we're all God's children. I was taught, in the words of Dr. Martin Luther King, Jr.... to judge a man not by the color of his skin, but by the content of his character. And I was taught that character...is simply doing what's right when nobody's looking.
Tobias asked. "Weird? Weird?" Marco crowed. "The talking bird wants to know if getting information on the location of an alien from a whale, that you've just saved from sharks, by turning into dolphins . . . You're suggesting that's weird?
The bad guy in any good storytelling is always, in some weird way, a mirror for your hero's journey and for the challenges that they are facing and is some weird physical externalization of that fear that the character is holding onto and has to overcome.
What we want is another sample of life, which is not on our tree of life at all. All life that we've studied so far on Earth belongs to the same tree. We share genes with mushrooms and oak trees and fish and bacteria that live in volcanic vents and so on that it's all the same life descended from a common origin. What we want is a second tree of life. We want alien life, alien not necessarily in the sense of having come from space, but alien in the sense of belonging to a different tree altogether. That is what we're looking for, "life 2.0."
The evidence is overwhelming that Planet Earth is being visited by intelligently controlled extraterrestrial spacecraft. In other words, SOME UFOs are alien spacecraft. Most are not. It's clear from the Opinion Polls and my own experience, that indeed most people accept the notion that SOME UFOs are alien spacecraft. The greater the education, the MORE likely to accept this proposition
If I was an alien looking down at Earth and studying the way we've treated the planet, would I really think humans are worthy of all these resources? Probably not.
It's weird. I feel like people assume if a character is very different than you, that means it's difficult to get into their head or into their skin.
Once in an age God sends to some of us a friend who loves in us, not a false-imagining, an unreal character, but looking through the rubbish of our imperfections, loves in us the divine ideal of our nature,--loves, not the man that we are, but the angel that we may be.
Once, in an age, God sends to some of us a friend who loves in us, not a false imagining, an unreal character, but, looking through all the rubbish of our imperfections, loves in us the divine ideal of our nature, — loves, not the man that we are, but the angel that we may be.
Alien Chutney is just what the name suggests it is. Its music that is so funny and quirky and weird that it feels entirely alien to the listener; yet, the content and the subject matter is so Indian and relatable, it's still chutney.
I'm not to be confused with Natasha Henstridge in 'Species,' where I just emerge out of the weird alien womb looking amazing. I really rely heavily on my black outfits and my gold chains to give me sort of a thing.
The vocabulary of an omniscient man would embrace words and images excluded from polite conversation. What would be base, or even obscene, to the obscene, becomes illustrious, spoken in a new connexion of thought.
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