A Quote by David Bowie
Since the departure of good old-fashioned entertainers the re-emergence of somebody who wants to be an entertainer has unfortunately become a synonym for camp. I don't think I'm camper than any other person who felt at home on stage, and felt more at home on stage than he did offstage.
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I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
I first visited the Philippines when I was 29. I thought I would feel at home there, but I felt more out of place than I did in the U.S. I discovered I was more American than Filipino. It was shattering because I never felt quite at home in the U.S., either.
The first time on stage is such a blur to me. I remember how it felt more than anything. I remember everything about the day before I went on stage - what I ate, the first person I met in the club, how I felt beforehand - but the actual being on stage is a total blur.
I don't know about other comedians, but I know that I never have felt anything like stage fright. I've felt nervous before big shows, but I think that's different than stage fright.
I had been doing theater since I was a kid, so the stage really felt like home to me. It felt like the place where I trust myself the most in the world and felt the most confident.
And from the first moment that I ever walked on stage in front of a darkened auditorium with a couple of hundred people sitting there, I was never afraid, I was never fearful, I didn't suffer from stage fright, because I felt so safe on that stage. I wasn't Patrick Stewart, I wasn't in the environment that frightened me, I was pretending to be someone else, and I liked the other people I pretended to be. So I felt nothing but security for being on stage. And I think that's what drew me to this strange job of playing make-believe.
Onstage, it was always comfortable for me, because that's where I felt at home. Offstage, it was a different situation. I was still shy offstage.
In general, I have felt more at home in the U.S. than I ever felt in England.
I loved Billie Holiday more than any other person other than myself on the stage. Yeah, I do.
Onstage it was always comfortable for me because that's where I felt at home. Offstage it was a different situation. I was still shy offstage and unfortunately, my shyness and my inability to communicate and really have great conversations or be part of the gang - in inverted commas - led me to the drug addiction, which, you know, blighted my life for 16 years because I thought by doing that it would make me join in.
Now, as a 29-year-old, you're a little bit different than a 26-year-old. But I actually felt really comfortable in Boston. I felt that I was one of the best players in the league at the time. I thought Boston was going to be the home for me for the rest of my career.
All my life
I have been restless--
I have felt there is something
more wonderful than gloss--
than wholeness--
than staying at home.
Up until that moment, I'd been at the earliest stage of love, when you feel it will turn you into the better person you want to be. Now, his gentle voice and sage advice took me to a later stage: I felt I needed to pretend to be a better person than I was so he'd keep loving me. This was hard because it made me hate him.
I can't imagine doing anything cooler or better than what we did on 'The Stage' and felt like we're firing on all cylinders.
I think, to a certain extent, there is a pressure, although I don't think I've felt the pressure at Lyon more than I've felt at any other club I've played at.
I have spent more time on stage than at home.
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