One of the great things about the film being so unusual and provocative is the filmmaker to me doesn't seem to have a definite opinion on the rights or wrongs or the immorality of behaviors and systems, he just presents a set of very unusual circumstances and asked the audience to partake in the judging of what feels right or wrong or what feels natural and unnatural.
I'm not a huge fan of 3-D, though. Honestly, I think that movies are an immersive experience and an audience experience. There's nothing like seeing a film with 500 people in a theater. And there's something about putting on 3-D glasses that makes it a very singular experience for me. Suddenly I'm not connected to the audience anymore.
I think independent movies are actually very challenging right now, because it was this huge scene and it was great for a few years. Then, it was totally co-opted by the studios. Now, it's become very corporate, the independent scene.
I'm a huge Top 40 lover.
I think it makes such a huge difference when the director has acting experience as well because it just means that he not only has a view of the film as a whole and the intentions of the scene in terms of the audience, he also has an actor's instinct of how to communicate something to us.
My audience is the baby-boomers, the bulk of the population. This is also a group that is being ignored by most record companies because they're not the Top 40 hit singles market. They forget these people still listen to music.
With digital space, the content has become accessible for the audience. So, they feel more connected to you as you are more accessible to them. The kind of adulation actors get today is very different from the kind of adulation you had for a star which came from aspiration rather than relatability.
I enjoy some physical stuff. But if I had a choice between playing a scene where it's raining, it's terribly cold, I'm wet and I'm being drowned and playing a scene with dinosaur eggs in a laboratory, I'd probably take the latter. It's warmer and generally more comfortable!
I never even dreamt of being a writer because I didn't feel allowed. When I was a child I was terribly ambitious, but I didn't know at all what this great thing would become.
'Marjaavaan' was a huge success among mass audience and at single-scene theaters.
I love Top 40 pop, don't get me wrong; I just don't think that there's anyone in Top 40 pop that's 'real.'
When you are in a good theatre show, it is a wonderful and very fulfilling experience, entertaining a large audience and their showing their appreciation for your efforts.
it is not unusual to hate great writers before we learn to love them. Because they have created something that did not yet exist, they must also create their audience. Sometimes the audience is not yet ready. Sometimes it has yet to be born.
I've become 40, my audience is partly the same age.
As much as only playing clubs can become tedious, performing in huge venues can also become off-putting. To go from one to the other feels great. And sometimes playing clubs can be even more stressful, because you really have to think about what you're going to tell the audience between songs.
It's a surreal experience filming promotion with Ryan Seacrest and meeting Top 40 pop artists.