A Quote by David Breashears

Everest? Don't forget it's really just a big pile of rocks. — © David Breashears
Everest? Don't forget it's really just a big pile of rocks.
If you take away a rock from a pile of rocks you haven't changed much. It's still a heap of rocks - just a rock or two smaller. Take away a component from the mousetrap and it isn't a mousetrap any more.
Everest has a special place in all of our imaginations. For centuries, Everest was a little bit like the moon. It was the place where everyone wanted to go. Empires wanted to be able to say that they were the first to put a climber on top of Everest. So when a tragedy happens up on that mountain, I think it has a global resonance. Everybody's heard of Everest. Everybody knows what Everest is and what it means, and the significance.
I think it's unrealistic to believe that somewhere in outer space two big rocks crashed together with a bang and now I have a wonderful family, freedom, and opportunity." We're gathered here with love and fellowship and friends. You can bang rocks together all you want; you cannot create what we have here. Maybe God can create life from big bangs, but rocks can't.
When they set off for their first day at their new school, I will never forget that winter morning as I watched our girls, just 7 and 10 years old, pile into those black SUVs with all those big men with guns.
I'm still fighting for parts - it's not like I'm sitting with a big pile of scripts putting them in a 'yes' and 'no' pile.
Burns' Hog-Weighing Method: (1) Get a perfectly symmetrical plank and balance it across a sawhorse. (2) Put the hog on one end of the plank. (3) Pile rocks on the other end until the plank is again perfectly balanced. (4) Carefully guess the weight of the rocks.
I don't really have a bucket list, but if I did, one entry would be to dust off my college Russian and spend a big chunk of a year reading, or trying to read, 'War and Peace' as it was meant to be read, in Russian, with all that rumbly rocks-on-rocks poetry inherent to the language.
It's not an old book, or a treasure map. Nope. Staring up at me was a pile of rocks.
I've been a really big fan of climbing. I really got into it when I watched the show 'Beyond the Limit' about climbing Mount Everest.
Forget the image, forget the ensemble, forget the rumours, forget the short skirts, the big hair, whatever! I owe this to the fans and I will never forget you so I want to accept this award on behalf of all of you.
I'm really into rocks. I have a really serious rock collection. Rocks and feathers and shells and strange found things in nature. I have a lot of those kinds of collections.
I've always been a big fan of the Yeti, simply because I have an affiliation to Everest - who was the New Zealander, Sir Edmund Hillary, the guy that conquered it. He actually went on an expedition after the Everest climb to look for the Yeti, and they didn't find it, but they found a footprint and some hair samples that turned out to be a goat or something.
The answer is that I do want to climb Everest, but I don't want to go to Everest. I don't want to be cold. I can't take the time. It's just not practical.
I'm really not big on nationalism, to be honest with you. I really don't think it gets people anywhere except near a pile of dead bodies. I'm Irish, yeah, but I don't need to get up on a soapbox about it.
I really wanted to make 'Everest' visceral, real. One thing that amazed me when I was scouting in base camp is the volume of Everest: It's humbling. I wanted to find a way to bring that to the screen. One way was 3D.
They were just kind of simultaneous - the film ending and the sets being destroyed. I was struck the first time I saw the Great Hall become a big pile of burning rubble and getting scattered around. It's really quite shocking for the fans.
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