A Quote by David Brenner
You know you're getting old when kids start to dress like you used to and movies are made about your teen life.
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I think I am too old to be doing teen movies. I am just kind of annoyed, because you have all these teen movies coming out with usually either Lindsay Lohan or Hilary Duff doing four of the exact teen movies over and over again.
When you're 50 you start thinking about things you haven't thought about before. I used to think getting old was about vanity - but actually it's about losing people you love. Getting wrinkles is trivial.
I think there's a possibility that comic book movies are getting a tiny bit better on the one hand because they're no longer made by executives, who are, you know, ninety-year-old bald tailors with cigars, going, 'The kids love this!'
My old life - no amount of getting used to it would have made it right.
Mothers of America let your kids go to the movies! get them out of the house so they won't know what you're up to it's true that fresh air is good for the body but what about the soul that grows in darkness, embossed by silvery images and when you grow old as grow old you must they won't hate you
There was never a book, a magazine, a movie, a television show that spoke to my experience as a bicultural teen. I could find a million articles on finding the perfect prom dress or getting the guy of your dreams, but how about 'Ten Sure Fire Steps to Being the Perfect Korean Daughter and Not Be a Freak at Your High School?'
The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.
We live in a society now where the sexual taboo for children has really passed by the wayside. Any nineyear-old can go into a 7-11 and check out the Playmate of the Month, but you don't want your kids to know about death. You don't want your kids to know about disfigurement. You don't want 'em to know about creepy things because it might warp their little minds.
If you make a decision in your life, even one as eminently logical and self-improving as "Why'd you start washing your hair every day?" and you start getting questioned hourly about it, you're going to start second-guessing yourself.
There's more movies now than ever, and competition for the entertainment dollar. These movies aren't recouping the way they used to. These little producers used to make something for a million, and get on a roll. One would finance the next. They crap out eventually, but then they go start a new company. But these guys just aren't getting to first base.
I'm often asked by younger filmmakers, 'Why do I need to look at old movies?' I've made a number of pictures in the last 20 years and the response I have to give them is that I still consider myself a student. The more pictures I've made in 20 years, the more I realize I really don't know. And I'm always looking for something or someone that I could learn from. I tell the younger filmmakers, and the young students, that do it like painters used to do—that painters do—study the old masters, enrich your palette, expand the canvas. There's always so much more to learn.
I remember it when I used to go out, I used to dress as Superman, but then I used to dress as Superman dressed as Clark Kent. So, actually, I would be like a little seven-year-old boy going out in a business suit. But I would never expose the fact that I was Superman, but I knew, that should there be any trouble, I could take care of it.
I love horror movies, and the kid is always such a big part. Kids are usually seen as so innocent, like, 'Oh, they can't do anything that creepy - they're kids!' That's what a lot of horror movies draw on, so getting to join that 'club' is really cool.
Doing a kid's movie is fun when you have kids. You don't want to do kids' movies if you don't have kids. When you have kids, things change in your life.
I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide.
I always try to find the kids that's getting on your nerves - because your instinct let you know they pushing you out the way, you getting old. And you don't let that bother you, have fun! You ain't got to hang out with them, but you can work with them.
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