A Quote by David Brin

Writing can be taken up at any point. But you need to remember that the arts are fundamentally unfair. Hard work and diligence won't necessarily take you all the way. Talent, nepotism, influence, and pure luck play a huge part.
If you're very talented and keep winning, you'll do just fine. It may take a while. But the talent is hard to identify and talent is hard to tell from luck. There's an awful lot of luck in this business. Past performance is not helpful in judging future performance.
For any band that ends up becoming really big, yeah, hard work has something to do with it, but a lot of it is just pure luck.
I can work a lot faster when I'm writing a screenplay than when I'm writing a play because, if I'm having a problem with a scene or something, I can just be writing it in a way where there's no dialogue, or find a way to make sound do the work that I want to do or a close-up do the work that I need to do.
When entrepreneurs talk about their success, they rarely talk about luck. I think that's because most of them think the concept denigrates the hard work and smart thinking they put into their projects. But luck is a huge part of any successful business.
I never take credit for anything, because it's mostly genetic to my way of thinking. Even the need to work hard with some genetic talent you're given - the need to go out and develop it, and push hard to bring it to people.
Luck does play a huge role in whatever field you're practicing, whether that's medicine, acting, singing; but the way you make luck work for you is you constantly put yourself in a position to get lucky.
The foundation of your life is luck. Hard work and talent make up the difference.
For me upward social mobility is possible through talent and hard work and is a glowing endorsement of the benefits of living in a modern capitalist society. It's not so much evidence of a meritocracy, as evidence of healthy nepotism. Nepotism is at the core of a good group dynamic. A good group dynamic is at the core of rock'n'roll.
I don't consider myself an artist necessarily, but craftsmen or people in the arts, their spiritualism is sort of when you're writing well or performing well or doing whatever you do well, there's an element of that that's either God-given, a talent that you're not necessarily responsible for.
It doesn't take any talent to play hard.
It's taken me 30 years to get this way, and I don't intend to let go. I work hard, but I play hard, too, and that's the one part of me that nobody sees. But I intend to be around for a long time yet.
I'm a natural piano player. So all the practicing I do at this point is in my head. If I don't play for a year, my chops aren't going to get any worse. I've spent my time playing scales, and I don't necessarily want to play any faster than I play. So everything I do at this point is more philosophical.
You create your own luck by the way you play. There is no such luck as bad luck. Fate has nothing to do with success or failure, because that is a negative philosophy that indicts one's confidence, and I'll have no part of it.
Talent alone is helpless today. Any success requires both talent and luck. And the 'luck' has to be helped along and provided by someone.
Luck is a component that a lot of people in the arts sometimes fail to recognise: that you can have talent, perseverance, patience, but without luck you will not have a successful career.
People tend to believe that good fortune consists of equal parts talent, hard work, and sheer luck. It's hard to deny the roles of the latter two. As to talent, I would only say it consists primarily in finding the right moment to step in.
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