A Quote by David Brock

If you want to keep the relationships you have, it's best not to talk about them. — © David Brock
If you want to keep the relationships you have, it's best not to talk about them.
When I'm working, I want to be the best. But when I'm out, I don't want to watch games. I don't want to talk with everybody about football. I want to talk about life - about anything else.
We want to bring the kids, the parents, the grandparents and grandkids together, we want them to have a shared viewing experience. We want the kids to talk about it in the playground, dad to talk about it down the pub, grandma to talk about it while she's out shopping.
Keep braiding one's wavelengths back into oneself. That way they gain all the more external power and surround us with a huge affective and protective zone. Don't talk about this. Never talk about our secret methods. If we talk about them, they stop working.
If you want to talk about grace, if you want to talk about revelation, talk about your life with some depth, which doesn't mean lurid revelations as much as simply looking at your own deep experiences and describing them as they are.
I want to have bosses around me, 'cause at the end of the day, 10 years from now, 20 years from now, you want to make relationships to keep 'em, you know what I'm saying. So I make my relationships to keep 'em - all my relationships - not try to burn bridges that you may need to cross over one day.
I don't rush out the first day to see every horror movie, but I do keep up on them, because I want to talk intelligently with the fans about them.
I don't like to talk about girlfriend stuff. It's not necessary. I try to keep my relationships separate from everything else.
The bad news is that Iran wants to talk about everything except their nuclear program. They want to talk about regional cooperation, they want to talk about the sanctions issues, and it seems like the western powers want to talk about nothing more than the nuclear issue.
If an artist is going through a lot of bad publicity, I don't want to ask them about that. If they want to talk about it, I'll make them comfortable enough where they can bring that up on their own. Not only do I want them to feel comfortable, I want them to come back.
I didn't want the lyrics to be about specific things in my life, I wanted them to be about generalised experiences I'd had. So when I'm writing about relationships or somebody leaving you or something, a lot of lyrics are partly about failed relationships I'd had, but they were also about my Dad, and being abandoned as a kid.
I want people to like me - but not at my expense. I just learned that there are too many people who are going to have an opinion about me whether I am kind to them or not. I can't control what they're feeling. I am not a yeller and I don't have a temper, but I do want people to do their best. And if someone is a friend and I see that they're doing stuff that is not helping them grow, I will make it a point to talk to them about it.
The President wants to talk about a terrorist named bin Laden. I don't want to talk about bin Laden. I want to talk about a terrorist called Christopher Columbus. I want to talk about a terrorist called George Washington. I want to talk about a terrorist called Rudy Giuliani. The real terrorists have always been the United Snakes of America.
Eddie Izzard is wonderful, I think, but I've only seen that one HBO special he did. He's one of the few people who talk about stuff other than girlfriends and relationships and flatulence and genitalia. There are very few of them who actually talk about real stuff.
I don't mind letting people in a little bit, but I have learned from the past not to talk too much about my relationships and to keep things as private as possible.
I don't want people to talk about how old I am; I want them to talk about what I'm making.
The more readings a novel has, even contradictory, the better. In journalism, you talk about what you know; you have provided yourself with records, you have gathered information, you have performed interviews. In a novel, you talk about what you don't know, because the novel comes from the unconscious. They are very different relationships with words and with the world. In journalism, you talk about trees; in the novel, you try to talk about the forest.
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