A Quote by David Bromstad
'Design Star' was incredible, and I didn't think it could get any better, and then 'Color Splash' happened.
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Design Star' was incredible, and I didn't think it could get any better, and then 'Color Splash' happened.
A lot of people have used the frog splash over the years. Every one else that used it is a four star frog splash, when RVD did it, it became a five star frog splash.
Sure, I had dreams of being a star when I was 18. I could've pushed it, too, but it wouldn't have happened any sooner. I'm lucky. What's happened has happened in spite of me.
Sometimes, I think I could have been a major movie star with the vast mansion and staff. I look at my Volvo and think it could be a limousine. I think of the roles I turned down. But then I wouldn't have had any children.
There is nothing as fun as making a cultural splash with a movie. Sometimes the splash happens, like with 'Swingers,' where it sort of slowly ripples out, yet everybody could quote it. Or it could be something like 'Elf,' where you just make a big splash right off the bat when the movie comes out.
I need to get better as a player, I need to get fitter, and I need to get better on the mental side. It's exciting for me, because there's so much I could do better. I don't feel like I've really maxed out any shot. People talk about my serve, but I think that can even get better.
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.
No one who had never been depressed like me could imagine that the pain could get so bad that death became a star to hitch up to, a fantasy of peace someday which seemed better than any life with all this noise in my head.
A little bad taste is like a nice splash of paprika. We all need a splash of bad taste-it's hearty, it's healthy, it's physical. I think we could use more of it. No taste is what I'm against.
I get an incredible thrill and satisfaction from seeing somebody with Apple’s tell-tale white earbuds. But I’m constantly haunted by thoughts of, is it good enough? Is there any way we could have made it better?
I get an incredible thrill and satisfaction from seeing somebody with Apple's tell-tale white earbuds. But I'm constantly haunted by thoughts of, is it good enough? Is there any way we could have made it better?
I think it's a very healthy thing to learn from what's happened in the past. But only if you look at what happened and think, 'How could I have dealt with that differently?' Then let it go.
If you can have a great story that people can follow the mystery and get the suspense, and then you have those moments of tension and a splash of visual fun, then you kind of get everything. You get your money's worth.
I think that Enterprise was getting better and better, actually, and if it had kept going, I think it would've turned into as good a show as any other in the Star Trek franchise.
There's no slow build anymore where you get a little part, then you get a little better part, then a better part, until one day your agent calls you us and says, 'guess what, you're a movie star,' and you say, 'Thank you!'
Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
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