A Quote by David Bryan

Some I want to see just for curiosity. But no, I don't really rush out to see a bunch of musicals. — © David Bryan
Some I want to see just for curiosity. But no, I don't really rush out to see a bunch of musicals.
My coach keeps telling me to say I'm not going to retire. I should just go through the motions and see what I feel every year and see if I really want to do it, but personally, I want to do it, but my coach says just take your time, don't rush.
So what'll happen is there'll be some very good cinema experiences are going to see 3D where you have to pay more. And there'll be some bad experiences of going to see movies in 3D. And I just hope that this kind of gold rush mentality doesn't kill what could actually be something that really, really benefits the industry.
Among my favorite half-dozen topics is the field of Victorian female explorers, the intrepid women who packed up their parasols and petticoats and roamed the world in search of adventure. Some were scientists, some artists, some unabashed curiosity-seekers who simply went out to see what they could see.
Hopefully in 2011 the fans will get to see some fights that they want to see. Manny Pacquiao Vs. Floyd Mayweather needs to happen, and so does David Haye Vs. Wladimir Klitschko. The fans deserve to see fights that they want to see and not just the fights that the promoters want to see.
When you're choosing furniture for your home that's supposed to express who you are, what you are also saying is you want other people to infer what you want them to infer. What if they see something different? Wouldn't it be really depressing if you're trying to be bohemian and instead they see you as Rush Limbaugh?
We sit at our consoles and play "Gears of War", but we don't see images from war. We don't turn on the news and see the evidence of war, the result of war. Maybe twice a year, Memorial Day, Veterans Day, we'll go out, we'll hang our flags, we'll try to inculcate in our children some sense of national honor for the fallen. But really, we don't see it. We just don't see the pictures. There's no drive-by on the freeway of death up close. So we don't really see bravery.
When I see a face, I see a face in general and I see you are curious, I see the curiosity but I don't not look after a dermatological report of your cheeks, and that's what you see when you're too high-resolution. And now desperately in post-production, in color grading, they are trying to wipe out the precision of the dermatological report.
I don't want to see an experiment. Experiment at home - when you show up on stage, I want to see a result. I think a lot of improvisers, you'll see them some nights and they just stink, and they go, "Well, we're just improvising." Like that's a license to have a shitty night!
I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.
[Kirk] Johnson throws some heavy punches and is a knockout fighter. This is what people want to see. They want to see a fight, they want to see punches and they want to see action.
So, to see the response to the Kickstarter, and to see people actually really want to see, hear what I'm doing, hear what comes out of my own mind, is really an incredible experience.
Right now I just want to chill for a while. Take a hiatus from all the craziness. To clean my house, see my family. Just see some movies and pick some strawberries.
I had 50 pastors, ministers, I had priests, I had a couple of rabbis in a big conference room in one of my buildings. And we're talking and I could see they really liked me. But I could also see they couldn't endorse me. I said, "Just out of curiosity, why?""Well, we can't do it because we'll lose our tax-exempt status."
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
I was just thinking of Rush. I went to see Rush a few years ago, because my record label guy in the States really wanted to go. We had crazy good seats. It was fascinating watching the crowd - mostly men - who were so moved by these really esoteric lyrics. I don't know Neil Peart's lyrics super well, but they're not that straightforward to me.
I saw some musicals at dinner theaters where I grew up. But I didn't go to a big theater to see one until probably after I graduated from high school when I took myself to see 'Tommy' when it was on tour. I absolutely loved it.
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