A Quote by David Bryan
The Broadway run of 'Memphis' has been like going to the moon. It was so great to actually open at the Shubert Theatre and then amazing to be nominated for eight Tonys and attend all the luncheons and events.
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I'm definitely nervous and excited. I feel like I've been playing off-Broadway, not to say that Boston doesn't have a great theatre district or great theatre, but it's not going to Broadway; it's just a different city.
Going to Broadway - then to be invited to the Tonys - I really tap into what that feels like now to fulfill lifetime goals.
Though I acted in hundreds of productions, appeared at the Guthrie Theatre and on Broadway in Amadeus, I discovered in my thirties that I didn't really like stage acting. The presence of the audience, the eight shows a week and the possibility of a long run were all unnatural to me.
Luckily, I have been a part of New Japan Pro Wrestling for eight years and it's been a great run with a lot of cool things and amazing experiences.
I wanted to be a therapist if the acting didn't work. I also did a lot waitressing and odd jobs. I'd audition but couldn't get hired to save my life. I'd do Off-Broadway theatre and that was great and I was excited and thrilled, feeling like, 'Well, it's Off-Broadway, but there's still the Broadway in there.'
It's amazing to be nominated for two Brits, and I'm in great company. I'm not a politician out blagging votes, but if people like what I do and feel like giving me a vote for British Breakthrough, imagine how mint it would be if I actually won.
I had been told by so many people that I was going to be nominated, that I should be nominated, that there wasn't any question about my being nominated. I don't think it was a surprise.
Well, one of the things a lot of Americans don't know, when Mitt Romney is nominated a few days from now, he will be the most experienced executive to be nominated for the presidency since Dwight Eisenhower in 1952, who had run a university and had run the allied war effort. That's actually a big deal.
It's very hard to just break into movies. I always felt like it would be giving up a theatre career to go and try and be in movies. So, I thought I'd exhaust the theatre thing, go as far as I can, and originate roles, be on Broadway, maybe win some Tony Awards, and then hopefully some door would open. Luckily, it did.
If Martin Scorsese calls, I am available. And then there the ones, well, you can just run down the list - any of those Oscar-nominated films, they have amazing directors across the board.
I take great pride in recalling that I could open in a play on Broadway or in London's West End and fill a theatre on the strength of my name - Steed's name.
Being nominated is a great thrill, and we like to say that all four of us were nominated, which means that our director, Anthony Page was nominated four times.
But I can't wait to watch the Tonys this Sunday. I'm really glad Broadway is doing so well this year, especially with its straight plays. It's been a wonderful year.
Just as I was turning fifteen, in the spring of 1946, my parents took me to see 'The Glass Menagerie,' well into its year-long run. I had seen a number of shows on Broadway by then, but nothing like this - because there was nothing like this on Broadway.
I've been really fortunate to do several shows on Broadway; the longest run I've done is nine months, and that was 'Porgy and Bess.' The shortest run I've done was about a month and a half: my first Broadway lead in 'The Scottsboro Boys.'
It hadn't really percolated through my brain that I was going to see real, live TV from the surface of the Moon, and boy, oh, boy, had that Saturn V launch been exciting! And then, there it was - late at night, sitting up, watching, and there was Neil Armstrong actually standing on the surface of the Moon.
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