A Quote by David Bryan
I remember, when I was very young and going to the Fillmore East and watching three of my favorite bands in one night, I'd want a hit. I want to hear the songs that brought them to that pinnacle of success.
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Few comedians can go to their shows and have people yell out bits that they want to hear. It's like going to see your favorite band and yelling out your favorite songs and to say the words along with them.
I've always kind of been a little skeptical about bands that won't play their hits. That's really arrogant to me as a music fan. I do want to hear obscure songs, but like most people, I want to hear the hits, so we always play them.
I bought a Three Dog Night album when I was pretty young, and I remember listening to all those songs. That's just greatly crafted songwriting, and the songs have such great harmonies. I remember marveling over those and trying to figure them out on piano. That was my early education - figuring out records, older records, as a kid.
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
For me, the good songs are the ones that come really naturally. There are certain songs that you rework and rewrite and the craft becomes very evident, but a lot of times those aren't my favorite songs. The favorite songs are the ones that I can't even hear my own voice in.
I remember when I was doing my first Christmas album, I thought, 'Wouldn't it be nice to find new Christmas songs?' Then I went, 'Are you crazy?' When I decorate my tree I don't want new Christmas songs, I want to hear all the familiar songs!
You want to know the biggest illusion about success? That it's like a pinnacle to be climbed, a thing to be possessed, or a static result to be achieved. If you want to succeed, if you want to achieve all your outcomes, you have to think of success as a process, a way of life, a habit of mind, a strategy for life.
Ultimately, people do want to buy merch and tickets to support their favorite bands, but they don't want to feel like it's the only thing going on.
I got sick and tired of hearing bands that didn't mean anything to me. I mean, there are some bands out there that are good, but if you want to hear stuff you want to hear, you got to do it yourself.
I think there are plenty of good bands out there, but the great bands aren't affected by what's going on around them, trends and all that and competing with other bands and wanting to be the biggest, we find that happens a lot. Bands look at other bands and think: that's what I want, you know? I think that remaining.
Jewelry should not upstage you. I pick one hot point on my body that I'm going to highlight. Let one area do the singing - you don't want to hear three songs at once.
The way I picked the tracks for '99.9%' was based on the feeling of, 'Is this going to be a hit?' I wanted songs that people would immediately hear and remember.
One thing all the way through the show to me is boring. I don't care how great the artist is. I find that if my audience is very young, and they want to hear very young songs, my show will be dominated by that. But there'll be some ballads here and there and some swing tunes.
I was always the Doubting Thomas of the bunch, and I don't think I was convinced about the Allman Brothers until 'Fillmore East' hit - that one removed all doubt!
Kids don't want to hear the same record. There are a hundred million bands that they could listen to; you want to give them something that they've never heard before.
I just want my songs to be memorable, and for people to hear my songs in ten year's time and remember the great times they had while listening to 'em.
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