A Quote by David Bryan
A lot of my friends are doctors, and the difference between me and them is there's no musical emergencies to pull me away from dinner. 'I need the chords for that song right now!' No, it can wait.
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My books happen. They tend to blast in from nowhere, seize me by the throat, and howl 'Write me! Write me now!' But they rarely stand still long enough for me to see what and who they are, before they hurtle away again. And so I spend a lot of time running after them, like a thrown rider after an escaped horse, saying 'Wait for me! Wait for me!' and waving my notebook in the air.
The music has gotten thick. Guys give me tunes and they're full of chords. I can't play them...I think a movement in jazz is beginning away from the conventional string of chords, and a return to emphasis on melodic rather than harmonic variation. There will be fewer chords but infinite possibilities as to what to do with them.
It's cliche, but everybody says, 'We're all one song away,' and it's so true. The difference between me and the guy down the street busking with his guitar case open is just one song.
Friends aren't jumper cables. You don't throw them into the trunk and pull them out for emergencies.
I tried several times to get the song right. The tune and the chords that I started with, there really wasn't anywhere else it could go. I stopped fighting it and let it take me away.
When I was first learning songs, I'd have a favorite song, and I'd take the chords and twist them around. I'd learn the chords and then play them backward. That was my first experimenting with writing a song.
There aren't really many compliments flying around with me and my friends. It's a lot of tough love. But you know, that love is there and if you need to have a serious conversation you just gotta wait for the right time to do it.
There aren't really many compliments flying around with me and my friends. It's a lot of tough love. But you know, that love is there, and if you need to have a serious conversation, you just gotta wait for the right time to do it.
Take me away from my sense. I need to go away now, because I'm in chaos - take me down deep. Hover over me, because I need grace. I say that a lot, many times a day.
There's such a huge difference between a great arrangement of riffs and a song. Sometimes the two can be the same. But the difference is a song doesn't necessarily need a riff, whereas a riff doesn't necessarily mean you've got a good song on your hands.
I would only listen to certain things, like a lot of teenagers do. But the Tragically Hip is a ribbon that's been with me pretty much my entire musical life. Every mix tape I ever made had at least one Hip song on it. Right from the outset I feel like Gord Downie built so much room into his songs. There was so much space in them that he created. He made me think of songwriting as full of boundless possibilities in a way that - well, that a lot of songwriters do, but that was the first time I thought a song could really contain multitudes.
To me, the main difference between young people now and the people I was young with isn't so much style, it's the relationships they have with their parents. Their parents like them much more than ours liked us. Our parents weren't our friends. But now I see my friends on the phones with their, what, 30 - year - old kids? And they're talking about feelings.
The pull between sound and syntax creates a kind of musical tension in the language that interests me.
When you step out and do a song in a musical, the easier thing to do is make it funny. But when those transitions become necessary, when they aren't camp, that, to me, is magic. I've done musical comedies and enjoyed them, but subject matter that's deeper and more realistic is always what's appealed to me most.
Undoubtedly there is a difference between people with money having access to the arts that people from working-class backgrounds don't have, but that's not their fault. I'm not taking anything away from these brilliant actors who are doing great stuff in Hollywood. A lot of them are my friends.
This year, I'm most thankful for the people around me who've supported me—my friends, and my family and boyfriend. It's been a really crazy year. There have been a lot of changes with moving to America and a lot of adjustments for my family and friends in Australia to let me go off on this journey and miss me a lot. I miss them a lot, but am so grateful for them.
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