A Quote by David Bryan
We have to play 'Livin' on a Prayer,' 'Bad Medicine.' We have to play them, and we want to play them, and that's what we're supposed to do. It's like going to see The Beatles and them not playing your favorite song. It's not the right thing to do.
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I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
I've played people that are on the line of evil and good, but that's life. We are always playing with the good and the bad. I see them as people. I don't see them as caricatures. I try to not make them caricatures. Maybe I fail, but I try to see what' behind them. Would I play the hero? A superhero? I don't think so. But, I play good guys. There are some there, but you have to look.
I don't want to play for any team. I prefer playing for a lower team and playing against the best. I don't like playing with them: I want to play against them... and beat them.
I really connect with every character that I've played, just because I kinda have to; as an actor, you want to take them in and get to know them and like them; because they're evil, you kinda have to like them so that you can understand them and play them and play them with some kind of empathy.
When you're DJing, there are songs I love to play, but I know people are going to walk off. It doesn't matter what I like. You have to be able to play the popular song and slip in one of yours, in such a way that they don't notice it. You've got them in such a roll that you get them back into what they think they like.
When I picked up guitar, it wasn't like, 'OK, I'm going to be Kenny Chesney.' It was like, 'I want to play a chord,' and then it was like, 'I want to play another one, then play a song, then sing while playing the song.'
Charlie Christian had no more impact on my playing than Django Reinhardt or Lonnie Johnson. I just wanted to play like him. I wanted to play like all of them. All of these people were important to me. I couldn't play like any of them, though.
My philosophy is, honestly, never collected anything that I don't play. I know a lot of people that collect guitars, but for me, I want instruments that I play. And if I don't play them, I don't' want to have them sitting in a closet collecting dust.
My philosophy is, honestly never collected anything that I don't play. I know a lot of people that collect guitars, but for me, I want instruments that I play. And if I don't play them, I don't' want to have them sitting in a closet collecting dust.
What I say about actors is you always want to find an actor you can play ball with. You throw the ball at them and you want them to throw it back. Your ball playing is a lot better when you play with good ballplayers, like any sport. Every actor I know feels the same way.
Play the gayest tunes in your books, play them loud and keep on playing them, and never mind if a bullet goes through a trombone, or even a trombonist, now and then.
Your past history and all of your hurts are no longer here in your physical reality. Don't allow them to be here in your mind, muddying your present moments. Your life is like a play with several acts. Some of the characters who enter have short roles to play, others, much longer. But all are necessary, otherwise they wouldn't be in the play. Embrace them all, and move on to the next act.
I got called and was told, "We'd like you to do The Hobbit", which was my favorite of all of them when I was a kid - "And we want you to play a character that's not in the books", I gulped and hesitated, but then I went, "These guys know this world, and they represent this world so well, that I actually think they've earned the right to have a little play."
Now I'm able to play on the main stage and play my own tracks and the crowd likes them. I feel like a lot the other DJs play a lot of the same songs, and not to knock them, but it's important to me to go up there and sort of sneak in a bunch of stuff the other guys aren't playing.
As good as we were, we didn’t win a National Championship until 1993, mainly because we kept losing to Miami on missed kicks. I used to get mad because nobody else would play Miami. Notre Dame would play them, then drop them. Florida dropped them. Penn State dropped them. We would play Miami and lose by one point on a missed field goal, and it would knock us out of the National Championship. I didn’t want to play them, either, but I had to play them. That’s why I said, 'When I die, They’ll say, ‘At least he played Miami.'
In the years that I've seen concerts, when I've paid to see somebody I want to see, there would be a certain amount of songs I'd want to hear. So whether it's stuff I want to play every night or not - or stuff I've been playing for years or stuff you get tired of playing - you have to play what people pay for and make it fair for them.
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