A Quote by David Burnett
War isn't a TV show with plot twists to keep the viewers interested. The proliferation of images and blanket media coverage have suffocated the life out of old-style photojournalism.
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One big, glaring difference I can think of between Iraq and Vietnam is the news coverage. During the Vietnam War era, you had TV coverage of the war saturating the airwaves every night, and that coverage wasn't put through a military filter at all.
The Iraq War marked the beginning of the end of network news coverage. Viewers saw the juxtaposition of the embedded correspondents reporting the war as it was actually unfolding and the jaundiced, biased, negative coverage of these same events in the network newsrooms.
Maybe one thing that has happened is that the claims of non-partisanship of the mainstream media have been a little bit exploded. Mostly I'd say what, if anything has caused the change, are just the obvious technological changes - proliferation of easier access to getting your opinions out and the proliferation of media.
It is like having a blanket that is too small for the bed, you pull the blanket up to keep your chest warm, and your feet stick out. I cannot buy a bigger blanket because the supermarket is closed. But the blanket I have is made of cashmere. So it's good.
The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.
Life compulsively dangled the possibility of life. Life, the dramatist on speed. Life, that couldn't stop with its foreshadows and ironies and symbols and clues, its wretched jokes and false endings and twists. Life with its hopeless addiction to plot.
I felt just overwhelmed by input: the Vietnam war and the collapse of the '60s and the proliferation of media' it just felt like everything was too much to handle and you just tuned out.
Just look at the cinema itself: It's comprised of lots of movies about graphic novels, and if you're not 20 years old and wearing a cape and a mask and white, you're out of business. Today's cinema is a proliferation of comedies, which are in some ways creating caricature images. They're one-dimensional.
Even more ominous ... is the fact that since the Second World War a new kind of intellectual has emerged in large numbers. ... he is only minimally interested in the proper intellectual significance of images and objects. Such people are not really intellectuals, but visuals ... A visual is more interested in style than in content ... A visual does not feel a rioting crowd being machine-gunned by the police, he simply sees a brilliant news photograph.
I go out and I say and do what I want - even if people may find that shocking. One could, of course, decide to be suffocated by all the pomp here in Élysée Palace. But if you decide to resist it, then you won't be suffocated.
Even if a media of a TV is not available in a home, there's this concept of community homes, where a reasonably well-off villager will have a TV - and a nice TV - and he'll keep it outside the house in the evenings.
My viewers are smart. They know I have a contract with a TV show and that I make a lot of money.
I don't need anyone to write me a show in my style, I would like to do a show in a style that wasn't my style, because that's the only way I can grow up and grow out.
The closest I've come to being on a reality TV show is C-SPAN's live coverage of the Senate floor.
I'm a person who watches TV all the time - all the time; I love TV. And I really think that the media heavily influences how we as a society behave towards each other. And one of the things that I find to be lacking on television are positive images of diversity.
Trump doesn't need to spend a dime to get his message out. Trump doesn't have to run an ad. Trump doesn't have to run a series. He doesn't have to pay people to show up. He doesn't have to buy TV advertising, because he gets more coverage than the combined advertising the rest of the Republicans could buy. And aside from the overwhelming, significant upset that is, the very fact of all that ticks them off. Donald Trump has direct access to his supporters. And you know who gives it to him? The media.
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